Wednesday, August 03, 2011
 
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Robert and Jo Ellen Maske: their labor of love at the fair

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[August 03, 2011]  Robert and Jo Ellen Maske have overseen the Logan Country Fair's photography exhibit for at least 20 years, but their involvement goes back decades more than that.

Robert was introduced to the fairgrounds in the 1950s. Jo Ellen became intrigued about a decade later. For years, the Logan County Fair has been a family thing for the couple, who are the parents of fair secretary Mike Maske.

In the 1950s, Robert was helping a farmer cut beans. One day his employer said, "You can help me cut beans and I'll give you $4, or you can help me in the 4-H barn at the fair and I'll buy your lunch."

A storm had wrecked the barn and the farmer and his peers were repairing the damage, so Robert chose the 4-H barn.

"He started helping (with the fair) years back," Jo Ellen said. "He helped with the 4-H chickens and rabbits. He's been with the fair since 1963."

Jo Ellen began her affiliation in the early 1970s, when she started the goat show.

"When I was a kid," she said, "I used to go to the photography exhibit at the Illinois State Fair and I just loved it."

Consequently, when she and Robert had the chance to take over Logan County's photography exhibit, they jumped at the opportunity.

"We used to have to hang all of the photographs on hooks," Jo Ellen said. "Robert made racks for them to sit in."

"We built two a year for four years," her husband explained. "They've all been a work of love."

The racks are stored at the fairgrounds, and workers help Robert set them up before the show.

His wife finds judges, usually rotating between local professional photographers for the closed judging session that takes place on the first official day of the fair.

Jo Ellen said the 2011 photography exhibit would feature 462 pictures from 55 exhibitors. They come from all over Logan County, as well as Bloomington, McLean, Altamont and Homer Glen.

"The entries are down from some years," she said. "We usually have between 400 and 500 pictures on the wall. When digital cameras came in, that really helped the show. Ordinary people can take great pictures." One year, so many photos came in that Robert had to make another display rack.

Jo Ellen noted that the number of entries usually rises and falls on alternate years.

"If there are a lot of entries one year, the next year people think, 'I don't have a chance,'" she said. That drives the number of entries lower the following year. Then prospective contestants think, "Well maybe I do have a chance," and entries increase again the third year.

As people bring in their photos, Jo Ellen and Robert sort them into categories, which continue to expand. One more recent addition in the 21 classes was for pictures digitally manipulated on the computer.

"We wanted to discourage people from manipulating all of their entries on the computer," Jo Ellen explained.

They've also added a sports class. This year's new category is "Echoes of Abraham Lincoln." The Lincoln class is for photos taken at events celebrating the 200th anniversary of the 16th president's birth. Jo Ellen said contest categories like that one tend to run about a year behind the celebrations.

When the Maskes started helping with the photo contest, everyone mounted their pictures in mats.

"Now, an 8-by-10 on a mounting board is OK too," Jo Ellen said. "Double-sided tape doesn't work very well. Hot glue is the best, but then you can't recycle your mats."

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Acknowledging that prints and mats can get expensive, she commented, "People don't really enter the show to make money. And, you can enter 21 pictures for $8."

She said the judges pick a Best of Show for both the black and white and color photo divisions. Lincoln College sponsors the two winners' plaques.

"We started giving five places (in each class)," she said, "but there were so many entries we went to eight places, even though the lower places only get $2."

Each class often has as many as 30 pictures.

Jo Ellen is firm about keeping all of the photos the same size, to enhance the appearance of the exhibit. She urged prospective contestants to read the fair book carefully and to follow the rules when preparing their entries. All of the pictures must come from amateur photographers.

"They don't do it for the money," Jo Ellen reiterated. "We do have a kind of gray area for people who may take pictures at their friend's wedding. But we consider them professional photographers if they take money for their pictures, even if they don't make all of their money at it."

Jo Ellen said a lot of the photos that come in are souvenirs from vacation trips.

"The last few years, the pictures were vacation pictures from different parts of the world, not just the country," she said. "People have more opportunities to go further afield."

A memorable example was a photo a young man took of a whale during a whale-watching expedition.

"I couldn't believe a kid took it," Jo Ellen said. "It was gorgeous! You could see the whale's tail and everything."

She has no favorites among the different classes. "I just love 'em all," she said. "I do like the color (photos). Black and white is very nice and very artistic," but Jo Ellen thinks some categories look better in black and white than others.

"I think it's harder to get a dramatic picture of a sunset or water in black and white," she said. "I thought for a while, black and white would just die out."

But again, digital photography that allowed prints to be made in either color or black and white saved the day.

Next year, the Maskes plan to be at their post again, setting up the stands and checking in the entries.

"The more the merrier," Jo Ellen said. "It's a good-caliber show."

[By NANCY SAUL]

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