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"The facts don't change," said district attorney's spokeswoman Sandi Gibbons. "The evidence we'll be presenting is the same evidence as the first trial. We feel that we have a very strong case." Alan Jackson remains as lead prosecutor, but Spector's large and often dysfunctional legal team from the first trial has been replaced by a veteran lawyer from San Francisco, Doron Weinberg. He says he will put the facts "in a little sharper focus." "We intend to rely on the same basic evidence," said Weinberg, adding that the central defense theory regarding Clarkson will be, "She fired the fatal shot." With the passage of time, Spector, once the colorful, wildly coifed star of the court, seems to have faded into a supporting role to the vigorous lawyers ready to do battle. He comes to court in long-coated suits with silk ties and sits silently at the counsel table while his young wife, Rachelle, waits in the spectator section. When he rises from his chair to leave the courtroom, she comes forward to take his arm, as if he would fall over without her support. "The stress of another trial is wearing on him," said Weinberg. "He's optimistic but there is stress." During jury selection, only a few prospects remembered Spector's heyday as the inventor of the "Wall of Sound" recording technique and producer of teen anthems including "To Know Him is to Love Him," the Ronettes' classic "Be My Baby," The Crystals' "Da Doo Ron Ron" and the Righteous Brothers' "You've Lost that Lovin' Feelin.'" He also produced Ike and Tina Turner's "River Deep-Mountain High" and worked on a Beatles album with John Lennon.
[Associated
Press;
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