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Trout Fishing music duo pens children's book

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[May 23, 2009]  LITTLE ROCK, Ark. (AP) -- Trout Fishing in America, the musical duo known for its family-oriented songs, has found a new way to add color to the vivid images in its songs: publishing a children's book.

"My Name is Chicken Joe" (36 pages, $16.95, Secret Mountain) is an illustrated version of one of the band's songs, an exploration of how names don't always reveal what a child expects. Chicken Joe happens to be a cat. Miss Kitty a dog, and King Kong a parakeet.

"Interestingly, all the characters in the book are real animals," said guitarist Ezra Idlet, who with bassist Keith Grimwood, constitutes Trout Fishing in America, a four-time Grammy nominee.

"Miss Kitty is my mom's dog. Chicken Joe is actually Keith Grimwood's cat, who was named Chicken Joe because he actually slept in the hen house when it got cold, because it was warm."

The book, illustrated by Stephanie Jorisch, includes a music CD with 11 previously released songs and printed lyrics for the songs.

Idlet and Grimwood have been playing together for more than three decades, pulling off the tricky feat of making their songs entertaining for both adults and children. Part of this success is their expert musicianship, but it's also the lyrics that can be enjoyed at two levels.

The song, "It's a Puzzle," also the title of a Trout album, is part of the compilation. It includes the line, "Isn't it a puzzle that an is'll be a was?" The wordplay is enough to keep a young child engaged, while the tune and rhythm can keep adults interested.

While "It's a Puzzle," ponders the concept of time, not all Trout Fishing songs are that ethereal. Idlet recalled a more earthy topic from a songwriting workshop.

"A kid wanted to write a song about boogers," Idlet said.

After he spoke up, the boy was waiting to be told to watch his mouth, but Idlet said they instead went with the idea. The result was the song "There's an Alien in my Nose."

In a similar vein a song that's included with the book, "Why I Pack My Lunch," centers on the horrors of the school cafeteria. "The lunch bell tolls, we go bravely to chicken knuckles with toxic gravy, cream of tea bags, wombat pelt, lizard lips, what's that, smelt?"

Grimwood's wife, Beth, has a hand in the writing, and Idlet says she shares the perspective on how to address children.

"We're real people," Idlet said. "We were both real kids and we raised real kids. It's just natural, not a contrived thing. We don't start out by saying, 'How empathetic we can be?'"

The workshops have become a key career element for Idlet and Grimwood. To spend a healthy amount of time at home in Arkansas, the duo usually tours by playing three gigs and then heading home, Idlet said. Workshops tend to be booked to coincide with their concerts.

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Their repertoire includes shows for adults, for families, and shows geared for children.

The band performed at the New Orleans Jazz and Heritage Festival this spring, and a typical year takes them to venues that include nightclubs, festivals, theaters and churches. Coming gigs include, appropriately, the Craighead County Library in Jonesboro, Ark., on June 5-6. That's followed by an Alaskan cruise June 21-28 and a July 10 show at the Rio Grande Zoo in Albuquerque, N.M.

On July 16, the duo plays Madison Square Park in New York.

The workshops are for children from third to sixth grade, though they've included older children. Idlet said he and Grimwood ask the youngsters for ideas for a song, develop some phrasing and blend the words with a guitar melody. The sessions often don't result in a song that's recorded, but the point is to engage the children in generating a song while allowing them freedom with their ideas.

The band fell into playing for young audiences long ago when in lean times he and Idlet agreed to play any gig they were offered. They were invited to play at a school, which ultimately set them on a fresh path.

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On the Net:

http://www.troutmusic.com

http://thesecretmountain.com

[Associated Press; By CHUCK BARTELS]

Copyright 2009 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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