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Social media seems to be increasing the opportunity for mischief. False reports that Britney Spears, George Clooney, Jeff Goldblum and Natalie Portman had died spread on Twitter and Facebook in recent months, compelling major news organizations to check them out. The latest unfounded death rumor, only this month, concerned Kanye West. There's even a Web site devoted to creating fake news stories about celebrities. It wasn't a hoax, but CNN created a stir on the emotionally fraught Sept. 11 anniversary by reporting that the U.S. Coast Guard had fired shots on a suspicious vessel in the Potomac. Reuters picked up the story, and Fox News Channel quickly jumped on it. It turned out CNN had mistaken a training exercise for the real thing.
Fox anchors talked about the report for several minutes even with an important clue staring them in the face
-- a live picture of the Potomac with cars streaming across a bridge. If there really had been a terrorist episode, wouldn't authorities stop traffic? In the pre-Internet and pre-cable news days, journalists would have time to suss out the accuracy of a report, Jurkowitz said. Even with a current atmosphere where "beats" are often measured by the second, there's plenty of evidence that consumers care more about getting the latest information and getting it right. Good luck. "This is the immovable object meets the unstoppable force," Sesno said. Nowhere was the new landscape more vividly illustrated than this month when Nick Denton, chief of the irreverent Web site Gawker.com, issued a memo scolding his staff for a few cases "where we've thought WAY too much before publishing" a story. Get something out fast with what we know, Denton wrote. We can always update. "At some media organizations, you might get rapped for running a premature story," he wrote. "At Gawker Media, you'll lose way more points for being scooped on a story you had in your hands." ___ On the Net:
[Associated
Press;
David Bauder can be reached at
dbauder@ap.org.
Copyright 2009 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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