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But if Aisha is the new "Afghan girl," some feel she's being used as a poster child for a political message. "It's not the photo," journalist Irin Carmon wrote on the feminist blog Jezebel. "It's the headline. ... There is an elision here between these women's oppression and what the U.S. military presence can and should do about it." At least some commentators, including some writing from Muslim perspectives, are troubled by the photo itself or its placement on the cover of a magazine with a 3.25 million-copy print circulation and a website that drew nearly 9 million unique U.S. viewers last month. Hofstra University anthropology professor Daniel Martin Varisco wrote on the Islam scholars' blog, Tabsir, that the cover photo is an "unfortunate example of sensationalized news reporting" that downplays the gains Afghan women have made. Krista Riley, a sociology graduate student and contributor to a Muslim women's website, Muslimah Media Watch, finds the photo "invasive and deeply troubling." To Riley, the image plays into racial divides and cultural distances. Photojournalists have long grappled with how and when to use graphic pictures, balancing a belief in telling difficult truths with consideration for the sensitivities of the subjects and of readers. American media outlets have become more open to publishing such photos as they face competition from an anything-goes online universe for an audience increasingly inured to violent images from entertainment, said Kenneth Irby, the lead visual-journalism expert at the Poynter Institute. Stengel said he deliberated at length about using Aisha's portrait, which was accompanied by an editor's note explaining his rationale and apologizing to readers who might object. Still, some have responded to the photo by adopting Aisha as an image of far more than Afghanistan's struggle or journalism's role in shaping it. Jill Stanek, an anti-abortion activist and blogger, draws parallels between the Time picture and the graphic photos her fellow activists sometimes use to press their cause. Lemondrop, a women's lifestyle blog maintained by AOL, cast Aisha's portrait as a chastising reminder for the appearance-conscious. The Pixel Project, an online group that works to combat violence against women, saw it as a call to action. Founder Regina Yau called it "a teachable moment."
[Associated
Press;
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