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A New York City native who was born Jan. 11, 1928, Wolper studied at Drake University in Des Moines, Iowa, and the University of Southern California, where he was business manager of the humor magazine, Wampus, edited by future Pulitzer Prize-winning columnist Art Buchwald. After leaving school in 1949, he joined with friends to create Flamingo Films, a TV distribution company, Olson said. Wolper traveled cross-country to sell old films to the few dozen TV stations then on the air. His move into production was a splashy one. He obtained Soviet space footage for a documentary that was carried by 100-plus stations after networks refused to air an independent production. "The Race for Space" earned a 1960 Academy Award nomination. Before becoming a titan in the miniseries genre, Wolper had a series of highly successful TV documentaries, including "The Making of the President 1960." Time magazine crowned him "Mr. Documentary," Olson said. At the 1964 Emmy Awards, "The Making of the President 1960" received four trophies including program of the year, which was then the top award. "What a moment for me," Wolper said. He also produced the National Geographic special "The World of Jacques-Yves Cousteau," which opened up the ocean depths for television viewers. He recalled Cousteau as "exactly as he appeared to be on the screen, a brave man who believed, passionately, in what he was doing and loved the oceans of the Earth." "I will never forget what you did to start my career," Cousteau wrote to Wolper after a series of 1960s specials on the undersea explorer. Always game for something new, Wolper branched out into docudramas such as "The Trial of Lt. Calley," sitcom hits "Welcome Back, Kotter" and "Chico and the Man," and films including the Oscar-winning "L.A. Confidential." His opening and closing ceremonies for the 1984 Olympics featured a spaceship floating mysteriously above the Coliseum (it was hitched to a blacked-out Army helicopter). Wolper called his 2003 memoir simply, "Producer." In it, he reminisced about the 1971 "Willy Wonka." He said it was his only work specifically for children, though he "always hoped kids would learn from and enjoy my documentaries." For the title role, he said Gene Wilder was perfect casting for a character with "a magical quality about him, the joy of a child in a man's body. ... The role fit him tighter than one of Cousteau's wet suits." Wolper's producer roots go back to the 1950s, when he turned footage of the Soviet space program
-- which he bought out from under the TV networks' noses -- into "The Race for Space." The film was a hit in syndication and an Oscar nominee. Before that, he first entered the entertainment industry by selling old movies to TV stations. He said he welcomed the relative anonymity that came from staying behind the scenes. "I make the money and I don't have to take the abuse some of the stars do, opening up their personal life. I can go into a restaurant, sit down and have a nice meal without being harassed. "Arnold Schwarzenegger can't do that," he said. Beside his artist wife, Gloria, Wolper is survived by three children by a previous marriage and 10 grandchildren. Private services will be held, with a public memorial pending..
[Associated
Press;
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