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"What are you?" asks Ben when the monster reverts to Locke's human form. "I'm not a what, Ben. I'm a who," says ersatz Locke. "You're the monster," says Ben. "Let's not resort to name-calling," the Locke character says. Then this creature that looks like Locke delivers a tribute to the real and real-dead Locke: "He was weak and pathetic and irreparably broken. But despite all that, there was something admirable about him: He was the only one of them who didn't want to leave. The only one who realized how pitiful the life he left behind actually was." Halfway through the program, the passengers of Oceanic 815 -- including Locke, Jack and other favorite characters
-- are seen deplaning after the jet has safely landed in Los Angeles. Oddly, they mostly appear less than happy to be there, unhappy with themselves and with their lives. Even pitiful in their lives.
During this, which is perhaps some sort of alternate narrative device on which "Lost" thrives, Jack and Locke are thrown together at the airport for a brief conversation. Jack, a spinal surgeon, asks why Locke is in a wheelchair. "Surgery isn't going to do anything to help me," says Locke, little suspecting that, once on the island, his paralysis would miraculously be cured. "My condition is irreversible." "Nothing is irreversible," says Jack with a doctor's confidence. Jack could have been talking about the stirring, often murky, sometimes overreaching "Lost" premiere, on which even Sayid (Naveen Andrews) comes to life after apparently dying from a gunshot wound. Nothing is irreversible. Except, apparently, the end of "Lost" just weeks from now. ___ ABC is owned by The Walt Disney Co. ___ On the Net: ABC: http://www.abc.com
[Associated
Press;
Frazier Moore is a national television columnist for The Associated Press. He can be reached at
fmoore@ap.org
Copyright 2010 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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