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The effect can be hard to detect, particularly in the network's talk-show style programs, which focus on priests bantering. It's more noticeable, for instance, in the filming of the rosary at the National Shrine in Washington, D.C., where the camera closes in on various artworks. The Rev. Dan O'Connell, host of the two decades-old show "We've Got to Talk," said viewers won't be expecting blue aliens and explosions from Catholic TV, but they will recognize that the network is trying something new. "If you take notice, you might just stay with the message," he said. The 3-D experience can also reinforce the network's bedrock theological message, O'Connell said. "It reaches out, it goes from the screen right into the room where you are," he said. "And that's what I think is the bottom line to the message of CatholicTV network, that God reaches out to us constantly." Angela Zito, director of New York University's Center for Religion and Media, said CatholicTV could distance people by introducing new viewing obstacles, such as the glasses. "People can't even find the remote," Zito said. But even if the 3-D isn't a smash, the church is sending an important message that it intends to keep pace with technology, she said. "Being willing to bet on 3-D technology at the very beginning like this ... to me just shows me you're sitting at the table," Zito said. ___ On the Net:
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