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Dylan "wrote some very powerful songs about what happens to folks when the system, and when the law, fail them," said Richard H. Underwood, a professor at the University of Kentucky College of Law. But while Dylan was inspired by real-life cases, Underwood said, he "was not necessarily concerned with true facts. He took a lot of poetic license." "I must say, Dylan never lets the facts get in the way of a good story," agreed Abbe Smith, a Georgetown Law School professor who's also an expert on Bruce Springsteen and the law. Though "beautiful," she said, the Hattie Carroll ballad is "not exactly accurate." Among other things, Dylan misstated the charge; and there was "reasonable argument that the cause of the death was not a blow to the head," but Carroll's poor health. Dylan has "a kind of stark, if not simplistic, view of guilt and innocence," said Smith. "It may be the stories he picks, or how the story gets told in something as relatively short as a song." And how, Smith is asked, might Dylan view lawyers? "I think he probably likes lawyers better than judges," she said with a chuckle. "I think he probably would like lawyers who fight for the little guy. He would not like Holden Caulfield from
'Catcher in the Rye.'" Coincidental to the conference will be the April 12 release of a Dylan recording from a long-ago folk festival in Waltham, Mass. The set list from that appearance included "Ballad of Hollis Brown," which relates what Dylan has said was the true story of how "seven shots ring out like the ocean's pounding roar. There's seven people dead on a South Dakota farm." The new release's title? "Bob Dylan in Concert -- Brandeis University 1963." The school was named for the late U.S. Supreme Court Justice Louis Dembitz Brandeis. ___ Online: Bob Dylan: http://bobdylan.com/ Fordham University Law School:
http://www.law.fordham.edu/
[Associated
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