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The destruction at the Pentagon, the evacuation of lower Manhattan and the few extrications of people trapped in the debris are all in the timeline, as are images of items including the dusty and dirty shoes that were worn by people as they left the stricken towers and political candidates' notices for the primary election New York City was expecting to hold that day. Compiled from the museum's collection, the timeline is an effort to help people get a sense of how that life-altering day unfolded, Daniels said. "It takes an incredibly chaotic day that changed the world and organizes it in a way that is accessible to large numbers of people," he said, pointing out, "No matter where you were, it was confusing." The timeline's use of social media allows viewers to share it in a personal way, said Mike Lucaccini and Danny Riddell, founders of Archetype International, the San Francisco-area company that designed and developed it. If there's a particular moment of the day that someone wants to share, he or she can do that. "It's such a personal experience for everyone," Lucaccini said. "A specific moment in time may mean something to someone in particular." Alice Hoagland, who lost her son Mark Bingham on United Airlines Flight 93, is thrilled to be part of the timeline. It includes a voicemail message she left for her son, telling him that terrorists would probably be trying to use the plane to hit a site on the ground and to do what he could to prevent it. "I would say go ahead and do everything you can to overpower them because they're hell-bent," she said in the message. Reached Tuesday in Los Gatos, Calif., Hoagland told The Associated Press that she hadn't seen the timeline yet but that "it's a tremendously good teaching tool for people who want to understand the events of that day."
While the general content of the timeline is similar to material about Sept. 11 that has been seen before, the project organizers focused on trying to use specific items that haven't been in the public eye previously, said Jan Ramirez, chief curator at the museum. "What we wanted to do was try to avoid the more iconic ... material that has been out on the Web and in films," she said, in favor of "evidence that was documented by the everyday people who were entangled in this event." ___
[Associated
Press;
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