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Miss Japan Marie Yanaka visited Thursday, giving Baselworld a chance to express "solidarity" with her stricken nation, according to her sponsor, the Swiss jewelry company Louis Golay International SA. What's hot this year, said Tissot CEO Francois Thiebaud, are classic designs of the 1950s and 1960s, Art Deco from the 1920s and 1930s, smaller, rounder models, steel and gold, and dials stripped to essentials but still finely worked. Thiebaud said the Swiss watch industry again got off to strong start this year, exporting items worth 2.6 billion francs ($2.9 billion) during January and February, lending hope the year might break the 17 billion-franc ($18.9 billion) mark as it did in record year 2008. Inside the convention center, the Hall of Dreams, Hall of Desires, Hall of Sensations and other similarly named halls brimmed with extravagant multistory displays for the likes of Breguet, Breitling, Chopard, Omega, Patek Philippe and Rolex. But there's a difference between luxury and quality, said Dr. Helmut Crott of Luxembourg, a German orthopedic surgeon-turned-watch consultant, who invested in and now helps manage the tiny Swiss watchmaker Urban Juergensen & Soenner. Crott said there's "some kind of mythic thing" about well-made watches, and smartphones play to a different crowd. "It's more than an accessory. It's between an object of art, of value, of giving from one generation to the other," he said. "I think with the (financial) crisis, people are more discreet again. They don't want to show so much what they have." His company aims to sell only a few hundred of their classic handmade watches a year, ranging from 25,000 to 600,000 francs ($27,750 to $666,000), he said, but that's just fine by him. The mechanical watches are meant to last for decades, sometimes more than a century, even if they can't compete with the precision of atomic clocks. "The watch was a symbol for the universe," he said. "There's something magical or mystical in it. I mean, I'm fascinated by it."
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