|
After a few performances at the Provincetown Playhouse in New York, O'Neill canceled the production and asked all the actors to hand in copies of the script. They were all believed to be destroyed. Gelb and other biographers have speculated that O'Neill had a change of heart because he was patching up a relationship with his father, a devout Catholic, and he feared the play would alienate his family. Gelb said he and his wife, Barbara, are finishing their third biography of O'Neill and have already included details and analysis of the "Exorcism" script. The Yale library bought the manuscript from a book dealer who represented the widow of Yordan, who is known for his O'Neill-inspired play, "Anna Lucasta." The script was found inside the original envelope with a message on the label from Agnes Boulton: "Something you said you'd like to have."
Another O'Neill scholar, William Davies King, said the play suffers from dramatic weakness that may have factored into the decision to destroy the scripts. But he said the fact that O'Neill apparently held onto a copy himself until he and Boulton divorced in the late 1920s suggests he would not have wanted the play suppressed entirely. "The significant thing is O'Neill himself retained a copy early on. He did not want to obliterate this artistic effort to make sense of his past," said King, a professor at the University of California at Santa Barbara.
[Associated
Press;
Copyright 2011 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
News | Sports | Business | Rural Review | Teaching & Learning | Home and Family | Tourism | Obituaries
Community |
Perspectives
|
Law & Courts |
Leisure Time
|
Spiritual Life |
Health & Fitness |
Teen Scene
Calendar
|
Letters to the Editor