|
Shack also saw one of the biggest challenges of his career. Shack showed Widner the laser -- which looks like a long, fat pen -- that would trace the exact outline of the tattoos as it burned them off his face. He explained how it would deliver short bursts of energy, different amounts depending on the color and depth of the tattoo. It would take many sessions for the ink to fade. And it would be painful, far more painful than getting the tattoos in the first place. "You are going to feel like you have the worst sunburn in the world, your face will swell up like a prizefighter, but it will eventually heal," Shack told Widner. "This is not going to be any fun. But if you are willing to do it, I'm willing to help." Widner didn't hesitate. "I have to do it," he said, as Julie held his hand. "I am never going to live a normal life unless I do." On June 22, 2009, Widner lay on an operating table, his mind spinning with anxiety and hope. A nurse dabbed numbing gel all over his face. Shack towered over him in protective goggles and injected a local anesthetic. Then he started jabbing Widner's skin, the laser making a staccato rat-tat-tat sound as it burned through his flesh. Widner had never felt such pain. Not all the times he had suffered black eyes and lost teeth in bar brawls, not the time in jail when guards
-- for fun -- locked him up with a group of black inmates in order to see him taken down. His face swelled up in a burning rage, his eyes were black and puffy, his hands looked like blistered boxing gloves. He had never felt so helpless or so miserable. "I was real whiny during that time," he says. "He was real brave," says Julie.
After a couple of sessions, Shack decided that Widner was in too much pain: The only way to continue was to put him under general anesthetic for every operation. It was also clear that the removal was going to take far longer than the seven or eight sessions he had originally anticipated. They developed a routine. Every few weeks, Widner would spend about an hour and a half in surgery and another hour in recovery, while Julie would fuss and fret and try to summon the strength to hide her fears and smile at the bruised, battered husband she drove home. It would often take days for the burns and oozing blisters to subside. Shack and his team marveled at Widner's determination and endurance. The Widners marveled at the team's level of commitment and care. Even nurses who were initially intimidated by Widner's looks found themselves growing fond of the stubborn former skinhead and his young family. Slowly -- far more slowly than Widner had hoped -- the tattoos began to fade. In all he underwent 25 surgeries over the course of 16 months, on his face, neck and hands. On Oct. 22, 2010, the day of the final operation, Shack hugged Julie and shook hands with Bryon. Removing the tattoos, he said, had been one of his greatest honors as a surgeon. But a greater privilege was getting to know them. "Anyone who is prepared to put himself through this is bound to do something good with his life," Shack said. ___ In a comfortable yard in a tidy suburban subdivision, Bryon and Julie Widner smoke Marlboros and sip energy drinks as they contemplate the newest chapter in their lives. Only a few trusted friends and family members know where they live
-- they agreed to be interviewed on condition that the location of their new home not be disclosed. This time, they moved because they had deliberately exposed themselves to danger. After much consideration, the couple had agreed to allow an MSNBC film crew to follow Widner through his surgeries. The cameras didn't spare the details, capturing Widner writhing and moaning in agony. Widner didn't care. If anything he felt that he deserved the pain and the public humiliation as a kind of penance for all the hurt he had caused over the years. But there was a deeper motivation for going public with his story. There was a chance that some angry young teenager on the verge of becoming a skinhead would see Widner's suffering and think twice. Maybe he would realize that, as Widner says now, "I wasn't on any great mission for the white race. I was just a thug." They moved the day after the documentary -- "Erasing Hate" -- aired in June. Widner's arms and torso are still extensively tattooed. He is in the process of inking over the "political" ones, like the Nazi lightning bolts. His face is clean and scar-free, and he has a shock of thick black hair. With his thin glasses and studious expression, he looks nerdy, Julie jokes. His neck and hands have suffered some pigment damage, he gets frequent migraine headaches and he has to stay out of the sun. But, he says, "it's a small price to pay for being human again." The move took a financial toll. Julie had to pawn her wedding ring to buy groceries and pay the rent. But Widner has found some work
-- construction and tattoo jobs. He got his GED and they both plan to start courses at the local community college. They say they feel safe. Several police officers and firefighters live nearby; the FBI has visited, and the local police know their story. Still they can't help but worry. It's one thing getting out of the white power movement as others have done, fading into obscurity. It's another to publicly denounce the violent world they once inhabited. Bryon has constant nightmares about what injuries he might have inflicted
-- injuries he can only imagine because so often he was in a drunken stupor when he beat someone up. Did he blind someone? Did he paralyze someone? He doesn't know. But there are moments of grace. After a recent screening of the documentary in California, a black woman embraced Widner in tears. "I forgive you," she cried. They've thrown out everything to do with their racist past, including photographs of Widner and his crew posing at Nordic fests and of the white power conferences Julie used to attend. And yet there are reminders all around, and not just the remaining tattoos. Tyrson's name
-- inspired by the Norse god of justice, Tyr -- troubles them for its connection to the racist brand of Odinism his father practiced with the Vinlanders. But how do they ask a 4-year-old to change his name to Eddie? The child tugs at his daddy's Spiderman T-shirt, begging him to come play video games. "OK, buddy," Widner says. "Let's go shoot a few bad guys." With that, the man who once brandished his hate like a badge of honor scoops up his son and turns on his Xbox. Widner plays the role of Captain America. The bad guys are Nazis.
[Associated
Press;
Copyright 2011 The Associated
Press. All rights reserved. This material may not be published,
broadcast, rewritten or redistributed.
News | Sports | Business | Rural Review | Teaching & Learning | Home and Family | Tourism | Obituaries
Community |
Perspectives
|
Law & Courts |
Leisure Time
|
Spiritual Life |
Health & Fitness |
Teen Scene
Calendar
|
Letters to the Editor