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In the film, Ferraro charts the ups and downs of Elizabeth, a care-worn immigrant from the Dominican Republic with a turbulent personal life, who works as a hairdresser and dreams of opening her own salon. At the start, her own hair is short-cropped blonde, but she dyes it black and dons a wig as she uses her loan to invest in her sideline of doing hair extensions. She does that work "faster than Western Union" but permanently struggles to make ends meet and ends up having to send her youngest child back to the Dominican Republic. Patricia, a garrulous woman from Guyana with a gold tooth, has more success. She uses her first Grameen check to buy a mixer to advance her fledgling business as a cake-maker and decorator. She ends the film about to open her own shop. Uplifting yet unsentimental, these are not rags-to-riches stories. But they show the women's determination to succeed, and if nothing else, bear out Yunus' belief that "the poor guy is creditworthy." In a period when defaults on home mortgage loans have skyrocketed in the U.S., Grameen America has a loan repayment rate of 99 percent, according to its president Vidar Jorgensen. It now has more than 5,000 borrowers in New York City and has opened branches in two other U.S. cities, Omaha and Indianapolis. Yunus has become a globe-trotting advocate for micro-credit and social business. The film shows him rubbing shoulders with everyone from the Dalai Lama, Nelson Mandela and Mikhail Gorbachev, to Bono, Bill Clinton and Tony Blair. He's had a much tougher time in his native Bangladesh, where Prime Minister Sheikh Hasina views him as a potential political rival. Earlier this year, Yunus, 71, was ousted as Grameen's managing director. He was accused of violating retirement regulations by working beyond age 60. The government's own finance minister is 77. "To Catch a Dollar" airs at the IFC Center in New York from Sept. 23-29. It is also showing in Los Angeles, and will be screened at art cinemas in several U.S. cities over the next two months. ___ Online:
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