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As both an all-Rocky Mountain Conference running back and art history major at Colorado College, he seemed uniquely qualified for the work. Sabol wasn't blind to the terrible toll the game extracted, how it broke players' bodies and sometimes later in life, wiped away their memories and worse. He was put off by the commercialism, and troubled by the way players from the past were short-changed by the pension plan.
Mostly, though, he wanted people to see and hear what he did. Sabol would have been delighted to hear the way a friend described his life's work: "Baryshnikov had nothing on John Stallworth leaping for a pass in the end zone when you saw it through the lens of NFL Films."
What's sad is how recent events have convinced so many people with a stake in the game to lower their gaze. The Ravens-Eagles game had barely ended Sunday before Ravens quarterback Joe Flacco invited a fine by questioning whether the league understood too much was at stake to continue using replacement officials. Earlier in that same game, one of those officials reportedly said to Eagles running back LeSean McCoy, "I need you for my fantasy team."
By the end of Monday night's Denver-Atlanta game, the officiating was so bad that former quarterback and current ESPN analyst Steve Young tore into the league for locking out the regular officials in the first place and the tone-deaf way it's responded to the mounting criticism since.
"The NFL doesn't care what you think," Young said more than once, explaining that was because the higher-ups knew fans would tune in to watch games -- and money would continue to pour into the league's coffers -- no matter who officiated them or how poorly.
That's precisely the kind of arrogance that, in the hands of a filmmaker with Sabol's consummate skill, would have foreshadowed a fall. Here's hoping that the league finds its bearings first, by remembering that no matter how big or complicated the game gets, it's still people that make it go.
[Associated
Press;
Copyright 2012 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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