|
Clark always was a storyteller ("I'll let others decide if I'm a good writer, but I AM a good
storyteller and will claim that for myself") and in her 20s and 30s, she wrote fiction for Collier's, The Saturday Evening Post and other magazines, including "Beauty Contest at Buckingham Palace," a sketch about an imagined competition featuring Jacqueline Kennedy and Grace Kelly. After her husband's death, she managed enough spare time to work on a novel about George and Martha Washington. She spent three years researching "Aspire to the Heavens," was proud of the story, proud of the scholarship, but hated the title and wasn't crazy about the sales. (It was reissued in 2002, far more profitably, as "Mount Vernon Love Story.") Her life changed with her second book, "Where Are the Children?", published in 1975. Anxious to better support herself and her children, she looked to a place she advises other writers to consult
-- her bookshelf. She found volumes by Agatha Christie and Ngaio Marsh, Josephine Tey and Daphne du Maurier. She would follow a formula that has worked so well in many genres
-- write the kind of books you like to read. A recent murder trial in New York involving a young mother accused of killing her kids gave her an idea for a story of a young mother convicted of killing her own children. She set it in Cape Cod, Mass., where Clark still spends part of her summers. When she finished, she dressed in a black and white suit and dropped off the manuscript with her agent. One of the industry's sharpest executives, Phyllis Grann, then an editor at Simon & Schuster and later the publisher of Penguin Putnam, snapped up the book for $3,000. "I was allowed to buy anything for $3,000 or under without going through contortions," says Grann, who was impressed by Higgins' ability to "tell a good story" and by Higgins herself, "probably the nicest person I ever met. "She is strong, she is a survivor, but always with a smile. She had recently been widowed and she had five children. I had had my first child and I kept asking,
'How do you deal with this? How do you do that?' I think I called her much more, with my childrearing problems, than she ever called me. I wanted to know how my kids could turn out as well as hers did." Higgins has since become one of the industry's most dependable and loyal writers, regularly turning out best-sellers for Simon & Schuster, virtually always with editor Michael Korda, who soon took over from Grann. Her U.S. sales alone top 100 million copies and, according to her publisher, she continues to sell some 3 million books a year worldwide. "You want to turn the page," she says, explaining the appeal of suspense novels. "There are wonderful sagas you can thoroughly enjoy a section and put it down. But if you're reading my book, I want you stuck with reading the next paragraph. The greatest compliment I can receive is,
'I read your darned book 'til 4 in the morning, and now I'm tired.' I say,
'Then you got your money's worth.'"
[Associated
Press;
Copyright 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
News | Sports | Business | Rural Review | Teaching & Learning | Home and Family | Tourism | Obituaries
Community |
Perspectives
|
Law & Courts |
Leisure Time
|
Spiritual Life |
Health & Fitness |
Teen Scene
Calendar
|
Letters to the Editor