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Kwatinetz's resume includes running The Firm, a talent management company whose clients included the Backstreet Boys, Jennifer Lopez and Kelly Clarkson. "I saw the digital revolution coming in the music business," he says, "and now, in television, it feels the same. My experience in the entertainment business tells me that what people want more than anything is convenience. Now television, by going online, is so much more convenient." So everything old is new again, and the fundamentals still apply: These two shows have retained a most profound link with soaps' glorious past: Agnes Nixon. Now 85, Nixon was mentored by the grande dame of the soap opera genre, Irna Phillips, back in the radio age. She was writing for a TV soap -- "Search for Tomorrow" -- as early as 1951. Then, in the late 1960s, while married, raising a family and serving as head writer for "The Guiding Light," she created "AMC" (as she puts it) "in my free time." She wrote a "Bible" sourcebook for this prospective new series. But the show was turned down by CBS and the sponsor, Procter & Gamble. Next she breathed new life into NBC's flagging "Another World," then was approached by ABC to create a new serial. Believing there was something "wrong" with "AMC"
-- after all, CBS had rejected it -- Nixon started over and created "OLTL." "It its first year, it had good ratings," she recalls during a recent
interview at her Manhattan pied-a-terre. "So ABC said to me, 'How about
creating another for us?' "I said to my husband, 'I can't think of another one.' He said,
'How about "All My Children"?' So I opened the desk drawer and took out the Bible and sent it to ABC. They said,
'Boy, that was fast work!'" Maybe not THAT fast, but Nixon did work swiftly, often voicing dialogue straight into her Dictaphone. "I would just empty my mind," she says, "and hear them talking. That's the good thing about being a writer: You get to play all the parts." Nixon doesn't write these days, but she's been involved on a daily basis as the series resume life. And she's heading up what's become a grand reunion. Says "AMC" exec producer Smith, "With every former member of the cast, staff and crew, when I called them they said,
'We want to get in the trenches with you.' When I called Cady McClain, she said,
'Where do you want me and what time do you want me there?'" The 43-year-old McClain first played the role of Dixie Clooney in 1988 and has since had a stormy history with villainous Pine Valley tycoon Adam Chandler (played by David Canary). When Chandler's wife, Brooke, couldn't present him with a male heir, he had an affair with Dixie, which produced his son, "then he got rid of me. He put me in an insane asylum." "The baby," McClain adds, "was this guy here." Seated beside her in this rehearsal room is Ryan Bittle, newly cast as Dixie's all-grown-up, soap-opera-handsome son JR Chandler. And as McClain spins out more history of her character and his, Bittle listens with great interest: Much of it is news to him. "I'm not familiar with the show at all," he confesses, "and I'm still trying to piece everything together." What can Bittle look forward to? More history unfolding, soaked in plenty of emotion. "I was crying all day yesterday," says McClain. "Crying again today." But undergirding the essential turmoil, hope springs eternal on daytime dramas
-- and for the people reviving two venerable soaps. "This is a second chance," says Jennifer Pepperman as a new day dawns. "It is a wonderful gift." ___ Online: http://www.hulu.com/one-life-to-live
[Associated
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