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The sunlit foyer surely made for an ideal spot to drink the dry martinis that Bunuel loved, before retiring to the living room for a film screening. In the back of the house sits a tiny, cozy kitchen of white tiles and outside, a garden with a grill. A priest who got to know Bunuel, however, said the director would stray from the routine by burning the books of Agatha Christie and other writers in the fireplace. "There was always imagination and humor and good food," his son, Juan Luis, also a filmmaker, once said of growing up in the house. The house does boast paraphernalia from some Bunuel films such as a movie poster for "The Young and the Damned," which brutally depicted the poverty endured by Mexico City's street children. The film's script and reel canisters are also on exhibit, along with stills from other films and photos of Bunuel at work. Built in the early 1950s by architect Arturo Saenz, the building is modeled after Madrid's Student Residence, which was known as a cultural hub that nurtured, among others, Spanish painter Salvador Dali and poet Federico Garcia Lorca, both once close friends of Bunuel. "In a way, he was nostalgic about Spain," said Javier Espada, the director of the Centro Bunuel in Calanda, Spain, the artist's hometown. "The house brings to mind the Spanish style. It has the look of the architecture of an exile." In the 1964 French documentary "A Filmmaker of Our Time," a paranoid Bunuel said he hardly ever left the "small house with a garden," secluding himself from the world because of his deafness. He told people that he built a fence, with shards of broken glass sticking out, around his den to scare away the thieves. Bunuel's house opened as a pilot exhibit in December 2011 to mark the 50th anniversary of his film "Viridiana," which the Vatican once qualified as blasphemous for showing a man almost raping his niece, a novice, and then committing suicide. The home closed again in May 2012 before reopening last week with a round-table discussion featuring filmmakers, journalists and an actress who appeared in his films. Silvia Pinal, one of Bunuel's muses, said the house looks nothing like it did back when he would invite friends over to share a paella and a martini-like cocktail he called the "Bunueloni." Despite the house's somber appearance, it played host to plenty of festivity, she said. "The house will introduce this Bunuel many people don't know," Pinal said. "He was not only a director. He was a human being. But where's the cantina?"
[Associated
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