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"Through this now, I understand where the abuse came from," says Daniels. "I understand and I forgive him, finally. He knew no better. His father beat him and his father's father beat him. It stemmed from slavery. It takes a very evolved person not to pass that on to your next generation. I know now why he beat me, because he didn't know any other way of communicating." "I love him," says Daniels, finally breaking down into tears. The line of history through "The Butler" runs right up to the present with plenty of contemporary reverberations beyond Obama. The film is a reminder for young audiences of the great accomplishments of an older generation of black Americans, but it also, as Oyelowo says, "contextualizes the America we live in today." "For me, one of the private privileges was -- especially with recent events like Trayvon Martin, with the erosion of the Voting Rights Bill, with the fact that we now have a black president
-- that it sort of put into context the best and the worst of America," says Oyelowo. Such context is intensely personal for many, including the film's cast. Winfrey has recently spoken about an incident in Switzerland where a clerk suggested a hand bag was too expensive for her. In February, national news was made when a New York city deli employee frisked Whitaker out of suspicion for shoplifting. "I've had incidents like that many times in my life," says Whitaker, who would prefer to look at the larger issues than focus on his particular incident. "It's such a broad scope thing. To just say,
'Oh, look what happened in this deli' when we're talking about things that permeate all over the place."
This year has produced an atypical burst of major films dealing with issues of racism head on, including the recent "Fruitvale Station" (of which Whitaker is a producer), the upcoming "12 Years a Slave" by Steve McQueen, an upcoming adaptation of Langston Hughes' "Black Nativity," and the upcoming biopic "Mandela: Long Walk to Freedom." But "The Butler," which Daniels found after his Martin Luther King Jr. film "Selma" (in which Oyelowo was to star as King) fell apart, was difficult to get made. It was passed on by all the major studios. Daniels and the late producer Laura Ziskin sought financing independently from wealthy African Americans. The film has 35 credited producers, which is believed to be a record. "When you are a minority, not only must you endure what minorities endure, but that also means in the workforce," says Daniels. "In my workforce, which is creating film, it's harder. And that's OK because that makes me work harder. It teaches my son to work harder. I don't look at is as woe is me. ... No way. Get up and go to work, man. It's politically incorrect, anyway, to scream racism in Hollywood, in America. It's time to now not do that. We've got to call it as we see it. All of the adversity I've gone through
-- be it being called faggot, be it being called nigger -- all of that has made me the man that I am."
[Associated
Press;
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