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Unlike other awards that honor music from games, the Grammys solely judge game scores on their soundtracks, just like they do for scores from film and TV. Bill Freimuth, the recording academy's vice president of awards, said entries of game scores doubled since the category was renamed to encompass all visual media. "For some reason, that worked some magic with the video game community," said Freimuth. "They didn't feel like they were outsiders. They were part of the main batch." Tommy Tallarico, a video game composer and organizer of the "Video Games Live" concert series, was among the artists who originally petitioned the recording academy to add game scores to awards consideration. He believes Wintory's nomination is a landmark
-- not only for composers who craft music for games but also the gaming industry as a whole. "It really shows that the National Academy of Recording Arts and Sciences is starting to consider our work art now," said Tallarico. "It's on the same level as film and TV in their eyes, and that's an important first step because a lot of people, when they think of music from video games, they still think of beeps and bloops. That's not the reality anymore." Freimuth of the recording academy said that while video game composers have lobbied for their own category in the past, it's an unlikely proposition given the current amount of submissions the academy receives from game composers. Besides, this year's awards have proven that a score from a game has no problem earning a nomination alongside a score from a film. ___ Online:
[Associated
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