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"That, for me, more than anything demonstrated Tim's courage, bravery and central humanity," Brabazon said. "That wasn't another picture or part of the story for him. That was something that he needed to involve himself in as a human being with a very specific and concrete outcome. That person survived and was able to continue treating the wounded. That's how Tim saw war." Hetherington had talked about leaving combat coverage behind, starting a family and settling down in a less-dangerous lifestyle. Though Hetherington had called Libya his last trip to a war zone, Junger and Brabazon said they're not sure he would have followed through and given up the front lines despite new opportunities that "Restrepo" had opened for him. Junger and Hetherington had enjoyed the glitz of the Oscars, but they definitely felt out of place. "If you're in the Hollywood world, the red carpet is in some ways, it's a savage sort of competition for attention," Junger said. "It's their combat zone, and we were just visiting it. ... We're kind of going to the zoo and seeing the pretty animals in some sense." Hetherington enjoyed it and was bemused by all the attention, Junger said. Yet throughout Oscar season, the Arab Spring revolts were erupting in Egypt, Libya and elsewhere in Middle East. Hetherington and Junger kept telling each other they should be there rather than parading around Hollywood in tuxedos. Soon after, Hetherington was there, back on the front lines. "He is probably the only person who's managed to do this. He went from the red carpet at the Oscars to dead in a war zone in six weeks," Junger said. "People who make films that go to the Oscars usually don't get killed in war zones, and people who go to war zones aren't often on the red carpet. And he managed to do both."
[Associated
Press;
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