|
The Dixie Chicks stayed firm during the backlash, and released "Taking the Long Way" in 2006 that won five Grammys and was a best-seller despite being largely ignored by country radio. Maines now refers to the group as "tainted" but is still open to performing live with the Dixie Chicks, and two shows are scheduled in Canada this summer. Those concerts will be a different sound than "Mother." The album is Maines putting her take on covers that span from Pink Floyd (the album title borrows from "The Wall"), Eddie Vedder's "Without You" and Jeff Buckley's "Lover, You Should've Come Over." Guitar virtuoso Ben Harper produced the album and performed with Maines at SXSW for a lively show that skewed far more on the side of rock and Americana than the bluegrass and country combination of the Dixie Chicks. Maines first played at the 2,700-seat Moody Theater that is the home studio for Austin City Limits
-- a big and tough venue to fill at SXSW, given the 2,200 other artists all vying for attention. Maines doesn't expect to win back fans that Dixie Chicks lost and isn't sure who will embrace her different sound now. "I like what the three of us had together," Maines said of the Dixie Chicks. "I did what was required. It felt like my job. I felt like a businesswoman in the industry I was in. I feel like I accepted that and waved that country flag but always felt like I was holding on to who I was, and we were still considered rebellious in the Top 40 country market. But it was news to me that people thought I was something I wasn't. "The cat just feels out of the bag now," Maines said. "I'm not sure I can go back to that."
[Associated
Press;
Copyright 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
News | Sports | Business | Rural Review | Teaching & Learning | Home and Family | Tourism | Obituaries
Community |
Perspectives
|
Law & Courts |
Leisure Time
|
Spiritual Life |
Health & Fitness |
Teen Scene
Calendar
|
Letters to the Editor