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Ozon -- who has won a wide international audience with films including "Swimming Pool," "Potiche" and "In The House"
-- said he wanted to counteract the "highly idealized" depiction of adolescence in many movies and show the complex reality. But in its copious nudity, lingering glances at young female sexuality and soundtrack of 1960s Gallic pop, it seemed to some Anglo audience members archetypally and bafflingly French
-- too French, perhaps, to take the top prize when the Cannes jury, headed by Steven Spielberg, hands out its awards on May 26. It comes as no surprise that Isabelle's first, disappointing lover is not a Frenchman, but a young German she meets on the beach. Originally, he was to have been from a country with an even lower amorous reputation in France. "In the screenplay it was an Englishman, because it's a bit of a cliche, a stereotype, for a French girl to sleep with an English boy," Ozon said. In the end, he became German -- "but I'm sure the English boy would have been just as bad a lover."
[Associated
Press;
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