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But when he heard about the Coens' film, he knew that his combination of skills was perfectly suited to the part. "I said: I have to get a shot at this movie because I feel like my 33 years of life have been preparing me to do something like this," says Isaac. He first submitted a recording of himself performing the traditional blues ballad, "Hang Me, Oh Hang Me," which Llewyn plays in the film. He auditioned for a casting director and then later for the Coens. Usually, as a guard against later disappointment, Isaac immediately tosses a script after an audition. But he didn't this time, and kept working on the part for the next month before Joel Coen called to tell him he got the part. His preparation included performing the film's songs, like Llewyn, in downtown New York clubs. Buster Keaton was an influence in forming a "mask of melancholy." "I would go to parties with that and try to interact with people with that," says Isaac. "It's tough because it's not about being cool. In a way, it's just about being very open and very up front with who you are. That was a scary place to live in." But the music was central to character, a kind of window into Llewyn's soul. A bit of advice from Burnett (who also did the music for the Coens' "O Brother, Where Art Thou?") was crucial: "Sing like you're singing to yourself." Along with Burnett, Isaac collaborated with Timberlake and Marcus Mumford. Using the parlance of musicians, Timberlake said Isaac "threw it down" in his performance. "It felt like a little bit of serendipity," Timberlake says of the Cannes reception to Isaac. "Just seeing the looks on people's faces looking at him like,
'Where did you come from?' It felt like: 'Llewyn finally made it.'" Moviegoers will surely become more familiar with Isaac when CBS Films releases "Inside Llewyn Davis" this December in the heart of awards season. (He also co-stars alongside Kirsten Dunst and Viggo Mortensen in the upcoming thriller "Two Faces of January.") "Why this movie is so personal -- I think to all of us -- is because of the recognition that it just as easily can go the other way," Isaac says. "There's very few geniuses that are shooting across the sky like Shakespeare or Dylan. The rest of us, it's like you have to work and be talented, but you got to be lucky for a lot of this stuff to happen."
[Associated
Press;
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