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After intermission, a big, bombastic song -- "Red, White and True," complete with nine dancing USO girls whose bodies spell out "U S A" -- proves no one wants to take their foot off the gas. It could easily be the 11 o'clock number in any other musical. Then, finally, many of the toys are put away -- wisely. "Fight the Dragon" is beautifully sung in a simple bedroom set, and Baldwin's torch song "I Don't Need a Roof" is a shimmering gorgeous thing, with her just cradling her ill husband, teary proof of her acting and singing chops. Both songs bring the show back to gravity in an emotional, beautiful way. Even so, there are still unnecessary flourishes. One Act 2 song, "Showdown," a TV cowboy-infused battle between father and son is simply unneeded, especially since there's no call for a "hanging tonight" on top of fatal cancer. Lippa, who also wrote the songs for "The Addams Family," has a knack for a classic, catchy Broadway sound, though many tunes come off as attempts for a hit-for-the-stands homer. Stroman keeps the action flowing flawlessly -- and her actors moving through an impossibly complicated world -- and clearly knows when to let the beauty of the moment simply shine. She captures the magic of the original story and has created some undeniable magic of her own. Butz proves he's simply in a league of his own, able to switch from middle-aged to teenager in a snap, offering a complex portrait of a Southern man while avoiding good 'ol boy cliches, and he even spends some of the night lying in a hospital bed, not the most expected way to lead a musical. But then there are lots of other fun surprises at "Big Fish," including elephant fannies. ___
[Associated
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