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Busan also distinguished itself from older festivals by helping unearth
new talent in Asia. Some 94 out of 301 movies from 70 countries selected for
this year were created by first- or second-time filmmakers. The festival
opened last week with a drama by Khyentse Norbu, a Buddhist monk from
Bhutan, and closes with "The Dinner," Kim Dong-hyun's independent feature
made outside the local studio system. The festival, which runs from Oct. 3-12, coincides with events such as
the Asian Project Market and Asian Film Academy, so new cineastes can meet
with veteran moviemakers, investors and sales officials from around the
world and launch their careers. Thai filmmaker Sopawan Boonnimitra, co-director of "The Isthmus," said
she hoped her debut feature would be screened in Busan because she wanted to
see reactions from Korean audiences. Her film is one of 12 competing for the
$30,000 New Currents awards that fund two first- or second-time Asian
filmmakers. Busan's budget for this year increased slightly from last year to 12.5 billion won ($11.6 million), thanks to increased corporate sponsorship. That is larger than the Tokyo International Film Festival, which operated on a $7 million budget, and a festival in Hong Kong, which had $5 million. Busan city government has been contributing about half of the film festival's annual budget for years, while the Seoul government offered 1.5 billion won in 2013. Even though love of Asian cinema and the goodwill of stars and volunteers have helped drive the festival's growth in the last 18 years, the organizer acknowledged the festival might face pressure to pay better. "People work for the festival because of their passion for film, but they don't get paid much," said Yang. "This could be an issue in the future."
[Associated
Press;
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