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Cuaron doesn't like to draw attention to his long takes, which have been roundly inducted into that cinematic tradition. The director, who claimed not to know how long the first shot of "Gravity" is, fears turning into what he calls "Look, mama! No hands!" filmmaking. "That's something I worry about sometimes," he says. "If it catches the attention of people, I'm not sure it works." Advances in digital technology have opened up new realms for long takes (the 2002 film "Russian Ark" was made in one 96-minute Steadicam shot), but Cuaron had particular challenges operating in simulated zero gravity. He and visual effects supervisor Tim Webber created what they called "The Lightbox": a large cube surrounded by LED lights inside of which Bullock and Clooney were rigged to mimic weightlessness. It was complex work, trying to stay faithful to the reality of movement in space. But Cuaron wanted an immersive experience, partly inspired by documentaries of astronauts on the moon like "For All Mankind"
-- films that didn't have the luxury of cutting to a close-up. Instead, Cuaron's camera at times drifts into the perspective of Bullock's engineer character and then floats away "almost as if you're another astronaut following the journey," he says. Though Cuaron revels in such choreography, even he was surprised by the size of the task. He started expecting to make a simple chamber piece with just two characters. It ended up
-- as his collaborators often reminded him -- taking 4 1/2 years.
[Associated
Press;
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