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The festival also balances renowned companies -- like NYCB, ABT and Ailey
-- with lesser-known performers. "We wanted to bring the best companies of the world but also give chances to the young and upcoming choreographers," Shuler says. And dancers, too -- like the now famous Lil Buck, aka Charles Riley, a master of the Memphis street dancing called "jookin.'" His first major New York appearance was at Fall for dance in 2011, performing "The Swan" by Camille Saint-Saens, dancing on the tips of his sneakers instead of pointe shoes. Annabelle Lopez Ochoa can attest to the power of Fall for Dance in a young choreographer's career. In 2006, she brought "Before After," a seven-minute duet. It was her first trip to the United States; Ochoa, who is half Colombian and half Belgian, is based in the Netherlands. "That piece opened so many doors for me," says Ochoa, who will present a new piece with Ballet Hispanico titled "Sombrerisimo," a meditation on, well, hats, for six male dancers. The third commissioned piece is by the Royal Ballet's Liam Scarlett
-- the first time his work will be seen in New York. Ochoa well recalls the festival's distinctive vibe. "It's very different from Holland," she says. "The tickets are so cheap, so you have lots of young people, really ready to be entertained, to be exposed to different things. You can feel they really want to be surprised." Audiences at the free performances in the park certainly were surprised by the high-energy and seemingly quite dangerous "Human Fountain," performed by the athletic dancers of STREB Extreme Action Company. But as always at Fall for Dance, if one thing doesn't work, there's something else. "It basically costs less than a movie," says Shuler. "So you can take a chance." ___ Online: http://www.nycitycenter.org/
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