With an eye on the big bucks such shows can command,
Microsoft will trot out a soccer reality show called "Every
Street United." Sony Corp's digital network Crackle will serve
up Jerry Seinfeld's "Comedians in Cars Getting Coffee" and AOL
is presenting a documentary drama about five New Yorkers called
"Connected."
This is a big shift from the short Web episodes many tech
companies have presented for the last two years at the week-long
"NewFronts" event - modeled after the annual "upfronts" where
broadcast and cable TV channels show their wares to Madison
Avenue.
Yahoo Inc is also looking for longer original programming it can
unveil at the showcase, three people familiar with those efforts
said on condition on of anonymity because the deals have yet to
be finalized.
Yahoo Chief Executive Marissa Mayer said on Yahoo's earnings
call last week that the company plans to make fewer, more
focused investments in original content.
"We are going to see more original content overall and no doubt
everyone is working to package their offerings like TV because
they have their eyes on TV dollars," said Kris Magel, chief
investment officer at Initiative, the media buying division of
Interpublic Group of Cos.
But TV-scaled ad spending is unlikely to flow to online video
commercials that usually run before and during a program,
advertisers and analysts said.
"Online video just doesn't offer nearly the reach that broadcast
does," said David Bank, an analyst with RBC Capital Markets.
AOL has spent about half a billion dollars over the last three
years on shorter content. On Wednesday, it also inked a deal
with Miramax to stream the independent studio's films on the AOL
network for free, but with ads.
"Internet companies are bucketed into the snackable short form
space," Ran Harnevo, president of AOL Video, said. "But we are
seeing the growth in the consumption of content on big screens."
At the NewFronts, which starts on April 28, Microsoft will show
longer original shows produced by the company's Xbox
Entertainment Studios that exploit the Internet's strengths.
"The challenge TV has is it's not very effective in being able
to reach a very discrete target audience and measure it and have
more interactive components," said Scott Ferris, general manager
of TV and video advertising for Microsoft. "We have very
engaged, high-quality audiences."
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Online series can get messages in front of people who watch little
TV, said Peter Naylor, senior vice president of sales for Hulu.com.
The website, owned by Walt Disney Co, Comcast Corp and 21st Century
Fox, will also pitch shows to advertisers next week.
"There is a segment of the video universe that is very, very hard to
reach through traditional television," Naylor said. "Online video is
a way to reach those light TV viewers."
But because online viewers have to search for content, advertisers
may end up paying more to reach them than on TV.
The cost per thousand (CPM) for a commercial on a cable network, for
example, might be between $10 to $30, depending on the show and the
demographic, estimates Brian Wieser, a senior research analyst at
Pivotal Research Group. For online video, a CPM for a comparable
demographic could be in the range of $20 to $40.
"There is a lot of aspiration in the NewFronts initiatives," said
Wieser. "The reality is traditional TV budgets are intended for
content vehicles that are TV-like. (Content) with short term, low
budgets with unknown or even known talent is unlikely to capture
anything resembling a meaningful TV budget."
Another hurdle is that the money that presenters make from the
NewFronts is not tracked by the Internet Advertising Bureau which
hosts the event.
Ari Bluman, chief digital investment officer of GroupM, the media
buying arm of WPP, notes the TV industry's annual showcase for
advertisers exists because they can only buy so many commercial
spots on TV, whereas this is not an issue online.
However, it may take some time before online shows become mainstream
enough to draw big ad dollars.
Until then, the NewFronts "is more of a showcase for what's new and
exciting," Bluman said.
(Editing by Ronald Grover and Richard Chang)
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