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				 The noted Beatles scholar, 56, fell in love with the Fab Four 
				as a child, and published his first Beatles-related reference 
				work in 1986. His latest book, "Tune In," was published late 
				last year. 
 The volume, which took 10 years to write, is the first in his 
				planned "All These Years" biographical trilogy. It begins in 
				1845, when the Irish potato famine forced John Lennon's 
				ancestors to migrate to Liverpool, and ends in December 1962, 
				shortly after the group released its first single, "Love Me Do."
 
 Lewisohn concedes that the length, 880 pages in the U.S. version 
				and 1,728 in the unabridged British edition, may be daunting.
 
 "Obviously, I want the book to be read by as many people as 
				possible. But it's as long as it needs to be," Lewisohn told 
				Reuters. "My interest is solely in learning as much as I can, to 
				get the story as right as possible."
 
				 
 Reviewers have praised Lewisohn's deft balance of scholarly 
				detail and gripping narrative. The author did not seek the 
				blessing of Paul McCartney and Ringo Starr or the estates of 
				Lennon and George Harrison for the unauthorized book.
 
 "Access often comes with control, and it's crucially important 
				that this is no whitewash," he explained.
 
 Lewisohn hopes that Volume 2, which will break off the narrative 
				around 1966, will be completed by 2020 and the third and final 
				installment about seven years after that.
 
 "With this project, it's not about 'I've got enough, I can stop 
				now,'" he said. "It's 'If I don't turn over the next stone, I 
				might miss the best thing of all.' So I will turn over every 
				stone before I stop researching."
 
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			 "Tune In" zeroes in on the youthful John, Paul, George and 
				Ringo and their apprenticeship in the rock clubs of Liverpool 
				and Hamburg, Germany.
 Lewisohn hunted down early Beatles set lists and looked for 
				patterns. He discovered that Harrison was an equal partner in 
				the early days, at least in terms of sharing lead vocals 
				onstage. The 1962 performances featured a "George vocal" on 
				every third song, alternating with John and Paul, partly because 
				manager Brian Epstein wanted to show off the group's 
				versatility.
 Lewisohn also demonstrates that, contrary to what some have said, 
			Ringo was a talented musician, and Liverpool's most in-demand 
			drummer.
 "He was probably the only musician in Liverpool who had more stage 
			experience than even John, Paul and George," he said. "Anyone who 
			thinks he was an average Joe is actually insulting John, Paul and 
			George with their choice" of recruiting Ringo.
 
 Lewisohn feels he still has more to learn about the group.
 
 "I certainly don't think that this is a book just for Beatles fans. 
			This is a post-war history of our culture. These three books, when 
			eventually the series is completed, will be something that I hope 
			will stand for centuries to come."
 
 (Editing by Patricia Reaney and Gunna Dickson)
 
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