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				 When reggae artist Tarrus Riley entered the stage, the 
				screams of the full house were deafening, and the fervor 
				persisted throughout his performance. 
				 
				A musical and social roots movement called "Reggae Revival" is 
				on the rise in Jamaica, where the raunchier dancehall genre has 
				been king for the last two decades. The revival evokes music 
				from reggae’s golden era of the 1970s, dominated by the late, 
				laid-back legend, Bob Marley, who put reggae on the global map 
				with his catchy tunes and spiritual and socially conscious 
				lyrics. 
				 
				"Reggae is bouncing back," said Chris Blackwell, the founder of 
				Island Records who introduced the group Bob Marley and the 
				Wailers to the world. "It got lost somewhat in a negative and 
				violent direction (but) I think it's finding itself again," he 
				added. 
				 
				The revival of traditional "roots reggae" also stands as "a 
				peaceful revolution in a nation that is often typecasted as 
				violent," said Dutty Bookman, a Jamaican writer who has been 
				documenting the movement which he says goes beyond music, 
				likening it to the Arab Spring. 
				  
				
				
				  
				 
				 
				"Love, unity, positivity, truth-seeking, these things form the 
				basis of the movement," he said. 
				 
				Jamaica is the birthplace of reggae, which became an 
				international phenomenon thanks to Marley who died of cancer in 
				1981 at age 36. 
				 
				"Reggae is the heartbeat of Jamaica," said Ziggy Marley, one of 
				Bob Marley's reggae-playing sons, currently on tour for his “Fly 
				Rasta” album. 
				 
				"I think Jamaica misses it,” added the younger Marley. "In the 
				past years a lot of the younger artists have been trying to move 
				away from it with dancehall, but reggae is something that is 
				needed because music affects our society deeply." 
				 
				DANCEHALL TAKES OVER 
				 
				After reggae’s golden age, the music degenerated as artists 
				moved from marijuana, considered a spiritual drug by Jamaica’s 
				Rastafarian Christian sect, to harder drugs like cocaine, Herbie 
				Miller, Jamaica Music Museum’s director, said. 
				 
				“Slackness,” a catch-all term for bad behavior, including 
				explicit sexuality and violence, became the norm, and with it 
				came the rise of dancehall. 
				 
				Dancehall is an offshoot of reggae with a hyper-energetic sound 
				and often violent, misogynistic as well as sexually explicit 
				lyrics. 
				 
				In 1991, dancehall artists famously upstaged roots reggae 
				performers at the popular annual Reggae Sunsplash music festival 
				and dancehall artists such as Shabba Ranks, Yellowman, Buju 
				Banton and Ninjaman became all the rage. 
				 
				Dancehall moved reggae closer to the American gangster rap 
				scene, led by artists like Snoop Dogg, one the biggest selling 
				American rappers. 
				 
				But dancehall was rocked by a series of scandals involving some 
				of its stars. The Grammy-winning singer Buju Banton was 
				convicted in 2011 on cocaine conspiracy and trafficking charges 
				and is serving a 10-year sentence. 
  
			
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			In April dancehall star Vybz Kartel was sentenced to life in prison 
			in Jamaica for the murder of a former associate. 
			 
			Despite fading, reggae's influence can still be heard in mainstream 
			American pop, including the Bruno Mars 2012 hit "Locked Out of 
			Heaven." 
			 
			Mars performed a rousing reggae tribute to Bob Marley at the 2013 
			Grammys alongside Sting, Rihanna and two Marley sons, Ziggy and 
			Damian, singing a cover of his 1980 song "Could You Be Loved." 
			
			In a sign of the times, Snoop Dogg changed his name in 2012 after a 
			trip to Jamaica and announced a conversion to the Rastafari movement 
			and a new alias, Snoop Lion. His 2013 chart-topping, 
			Grammy-nominated album, "Reincarnated", put reggae firmly back on 
			the map, featuring a fusion of reggae and dancehall. 
			 
			BACK IN THE CHARTS 
			 
			For the week of Aug. 23, Billboard ranks Chronixx’s “Dread & 
			Terrible” the fourth bestselling reggae album. Ziggy Marley’s “Fly 
			Rasta” ranks third and Snoop Lion’s “Reincarnated” ranks sixth. 
			 
			The new crop of artists in the reggae revival include Protoje, 
			Tarrus Riley, Chronixx, Jah9, and Kabaka Pyramid, who all play music 
			with messages rooted in Rastafarianism. 
			
			What you have and how you look and what you don't have, that's 
			dancehall," said Kabaka Pyramid, who was ranked at the top of 
			Billboard's Next Big Sound chart last year. In the reggae revival, 
			"ego is being taken out of the music," he said. 
			 
			The revival is being fostered by Billy Wilmot, a Jamaican surfing 
			legend the vocalist, guitarist and songwriter for the Mystic 
			Revealers, a Jamaican reggae band that formed in the late 1970s. 
			  
			
			
			  
			
			 
			His surf camp, Jamnesia, became a seminal place where Reggae Revival 
			artists cut their teeth on live performance. 
			 
			"Reggae is always socially conscious music and socially relevant," 
			said Wilmot. "It might not be what you want to hear, but it's what's 
			going on in society." 
			 
			Roots reggae and dancehall may have very different sounds and 
			messages, but they’re not mutually exclusive. Some reggae artists 
			have incorporated rap elements of dancehall, including Damian Marley 
			and Tanya Stephens. 
			 
			“Both can exist and live,” says Ziggy Marley. "The roots revival can 
			bring things back into balance without being judgmental of one or 
			the other." 
			 
			(Editing by David Adams and Lisa Shumaker) 
				
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