But this year the Cambridge Folk Festival is celebrating its
golden anniversary in style with headliner Van Morrison - who
had to be courted for years before he agreed to attend - as well
as Roseanne Cash and Sinead O'Connor.
There also will be time for folksy pursuits like rapper dancing,
which is a dance using a short sword, and yarnbombing - the
graffiti version of knitting.
It's this eclectic approach that keeps people coming back year
after year to the festival, which runs from July 31 to Aug 3.
And although it has evolved and expanded since the 1960s, it is
still held at the compact Cherry Hinton Hall site just outside
town.
"We have withstood the pressure to expand the festival or move
it to a larger site because we appreciate the intimacy of the
performance is what people really like – the site and the size
of the marquees have been integral to our success," said Eddie
Barcan, who has run the festival since 1993.
This year Barcan is particularly pleased to have booked the
68-year-old Morrison, who has never played the festival before,
despite repeated invitations. "I've tried many times in the
past," Barcan said. "You just keep chipping away."
Barcan took up the baton after the death of local firefighter
Ken Woollard, who would organise the early festivals from a
public phone box outside Cambridge Fire Station. In his first
year he booked The Watersons, Peggy Seeger and a young Paul
Simon, who was a late addition to the bill.
The festival quickly developed a reputation for offering
everything from traditional British, Irish and American folk
music to cajun, zydeco, klezmer, roots and blues.
In later years it has attracted more popular artists, while
maintaining a good track record for spotting talent early.
Folk stalwarts Richard Thompson, plus Eliza and Martin Carthy,
who are part of the Waterson clan, will also be performing. The
Newcastle Kingsmen Sword Dancers will entertain the crowd with
some old school rapper dancing.
To celebrate the golden anniversary, 70-year-old John Holder,
who has sketched artists from the side of the stage down the
years, has created a special limited edition poster.
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A compilation album featuring 50 of the best live tracks recorded at
the event is also planned and festival-goers have been encouraged to
knit a granny square for a giant woolly banner to be assembled on
site.
GOOD TRADITION
In February the festival's contribution to folk music was recognised
with a BBC Radio 2 Good Tradition Award, collected by Barcan and
Joan Woollard, Ken's widow, at a ceremony in the Royal Albert Hall.
"There was a lovely, warm reaction on the night," Barcan said. "I
didn't expect it to be so well-received by the audience – it was a
very proud moment."
Still run by the council, the festival is regarded fondly because it
strives to provide the best amenities and biggest names without
gouging fans.
But this could be the last year the festival appears in its current
guise. The council is looking to establish a charitable trust to run
it.
Reflecting on his long tenure at the helm, Barcan says some of his
fondest memories date from 2002, despite heavy rain. "The year Joe
Strummer played we had terrible weather, probably the worst mud I've
ever seen at the site," he said.
Barcan recalls the ex-Clash vocalist creating an "amicable chaos"
around him: "He spent a lot of the day hanging out with the site
crew, misdirecting delivery drivers".
Rain or shine, organisers are determined this year will be one to
remember, with some surprise performances planned before Morrison
closes out the festival on Sunday night.
(This refiled version of the story removes extraneous word to
identifying slug, not text change).
(Reporting by Claire Milhench; Editing by Michael Roddy and Larry
King)
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