| Gosling's "Lost River", which was to premiere at Cannes on 
				Tuesday night, includes enough images of blazing buildings to 
				satisfy the most ardent pyromaniac.
 But early comments posted on Twitter following an advance press 
				screening were overwhelmingly caustic. Tim Robey of Britain's 
				Daily Telegraph called the film - set in a near-deserted 
				community pockmarked by scorched houses - a "crapocalypse."
 
 Gosling's movie, which he also wrote, is one of 19 to compete in 
				the "Un Certain Regard" category for emerging directors at the 
				prestigious festival on the French Riviera.
 
 The Hollywood heartthrob has been a frequent visitor to Cannes 
				as an actor, most recently accompanying two Nicolas Winding Refn 
				films - the bloody slasher set in Bangkok, "Only God Forgives", 
				and pulp thriller "Drive".
 
 The influence of Winding Refn - who this year is a jury member 
				in the festival's main competition - was palpable, said critics.
 
 A young man named Bones (Iain De Caestecker), along with his 
				mother (Christina Hendricks) and little brother, are practically 
				the only family left that hasn't yet cleared out of the 
				community, visibly hit by tough times.
 
 When their home is scheduled for demolition due to a mortgage 
				debt, Bones strips abandoned houses for copper wiring to sell 
				and his mother starts working at an underground fetish club 
				where a cabaret show features women being slashed and stabbed.
 
 While Gosling appears at first glance to be interested in themes 
				such as attachment to home, or mortgage-lender greed, the movie 
				is sidetracked by its surreal and sinister elements, reminiscent 
				of David Lynch but without the psychological punch.
 
 Neither the mysterious mute grandmother who sits and watches old 
				home movies in the dark in full makeup and black veil, nor the 
				discovery of a town submerged underwater, make much sense. A 
				violent sexual encounter between the mother and her new boss 
				feels purely gratuitous.
 
 As if the community doesn't have enough problems already, a 
				foul-mouthed, street-wise character named Bully (Matt Smith) 
				rides around in his white convertible, bragging through a 
				loudspeaker that "I own this city". Those who don't obey find 
				their lips cut off with scissors.
 
 Spewing blood, a severed rat head, and bikes and buildings 
				burning in slow motion impart a nightmarish feel as heavy, 
				brooding music substitutes for dramatic tension.
 
 "The ultimate student film, made by industry pros," wrote Twitch 
				Film in a tweet.
 
 (Editing by Mark Trevelyan)
 
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