Ewan
McGregor leads all-star cast in Broadway revival of 'The
Real Thing'
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[November 01, 2014]
By Patricia Reaney
NEW YORK (Reuters) - Thirty
years after its initial Broadway run, Scottish actor
Ewan McGregor is heading an all-star cast in the latest
revival of Tom Stoppard's Tony winning play, "The Real
Thing," about love, truth, marriage and infidelity.
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The Roundabout Theatre Company production, which opened on
Thursday, marks the Broadway debut of McGregor, known for his
film roles in "The Impossible" and "Moulin Rouge" and his
co-star Maggie Gyllenhaal ("White House Down").
The pair play lovers in roles originated on Broadway by Jeremy
Irons and Glenn Close in the 1984 production directed by Mike
Nichols. Another prize-winning revival was staged on Broadway in
2000
Although USA Today said "Stoppard's 'Real Thing' has real
magnetism," the New York Times found the latest revival tinny
and lacking in authenticity.
"Evidence of real feelings, real chemistry and real life in
general is dishearteningly scarce in this interpretation," it
added.
McGregor is Henry, a witty, British playwright, who is married
to an actress named Charlotte, played by Cynthia Nixon, but is
having an affair with Annie (Gyllenhaal), also an actress.
The revival is a return to the play for Nixon, known for her
role in the TV series "Sex in the City," who played Henry and
Charlotte's teenage daughter Debbie in the 1984 production.
"The Real Thing" opens with a play within the play, which
mirrors reality, as Annie's real-life actor husband Max, played
by Josh Hamilton, confronts Charlotte about a suspected
infidelity in a play called "House of Cards" that was written by
Henry.
After Henry's affair with Annie is revealed, they split from
their spouses to be together and marry. But before long Henry
becomes suspicious about Annie's relationship with an actor.
Variety described McGregor's performance as "impressive" and the
Daily News said it is a "bang-up Broadway debut."
"With no sign of struggle, he's charismatic and convincing as he
plays Henry's various facets - witty, glib, snobbish and
importantly, romantic," it said.
London's The Guardian newspaper agreed, adding he is "wounded
and needy and still somehow appealing."
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But the New York Post found him "too cuddly" and the New York Times
said although he is charming and hands on and delivers his lines
with flair, he doesn't portray an author ravaged by inner doubts.
"You can't imagine real life getting under his skin," it added.
Reviews for Gyllenhaal were also mixed with USA Today saying her
Annie was grounded from the start with an "effortless sensuality"
and The Daily News calling her debut "vibrant, sensual and
reckless."
Although the New York Times said her performance was "very poised"
it added "she seems more like a visiting lecturer on the subject of
passion rather than its avatar."
Stoppard's sharp, biting script is sprinkled with Henry's favorite
pop songs, including Neil Sedaka's "Oh! Carol" and The Crystals' "Da
Doo Ron Ron," that the cast sing together.
While the music irked some critics, the New York Post thought it
worked, but found the overall production disappointing.
"While 'The Real Thing' traffics in big ideas - art, love, cynicism,
fidelity - the whole feels muted," said the Post said.
(Reporting by Patricia Reaney; editing by Andrew Hay)
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