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				 Now, more than three years after the disaster, they remain 
				stuck in cramped emergency housing facing the reality they will 
				likely never go home, with Futaba set to become a storage site 
				for contaminated soil, a new documentary film shows. 
 "I think this is almost a human rights violation," said Atsushi 
				Funahashi, director of "Nuclear Nation 2", which opens in 
				Japanese cinemas next month.
 
 "(They) are forced to live in this temporary housing without 
				hope for the future," he told a question and answer session 
				after a screening at the Foreign Correspondents' Club of Japan 
				last week.
 
 Funahashi's "Nuclear Nation" films follow the residents of 
				Futaba, who were evacuated after the March 2011 earthquake and 
				tsunami triggered meltdowns at the nearby Fukushima Daiichi 
				nuclear complex, dousing their town with radiation and turning 
				it into a "no-go zone".
 
 In the broader region, tens of thousands were forced to flee.
 
 
				 
				He filmed the first installment, which premiered at the Berlin 
				International Film Festival less than a year after the disaster, 
				at an abandoned high school in a Tokyo suburb where 1,400 Futaba 
				evacuees were living in classrooms.
 
 "Nuclear Nation 2", produced by Documentary Japan and Big River 
				Films, picks up from New Year 2012 and covers a two-year period. 
				Evacuees at the school wish each other well for the coming year, 
				admire New Year cards and chat over "bento", single-portion 
				takeout meals, trying to maintain a semblance of normal life.
 
 Funahashi's lens deftly captures a television news program in 
				the background reporting on the nuclear regulator and the 
				problem of decontamination, underlining the issue at hand and 
				foreshadowing discontent to come.
 
 MENTAL ANGUISH
 
 Indeed, evacuees lament their living conditions as tension 
				grows. In one scene, a man launches a profanity-laced tirade at 
				Futaba council members upset with their attempt to oust the 
				mayor over his job performance.
 
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			"That's the profound problem that I'm feeling now, rather than just 
			regaining the house or the land they have lost," said Funahashi, 
			referring to how the mental anguish of waiting in spartan conditions 
			was fraying nerves.
 As they bide their time, some evacuees speak nostalgically about 
			better days when the nuclear plant brought money into the town, 
			creating jobs and helping businesses prosper.
 
 "For 40 years it was a godsend," an elderly woman said in the film.
 
			But a visit back into the exclusion zone - set to the melancholy 
			piano of Ryuichi Sakamoto's score - reveals a ghost town with space 
			being cleared for the storage of contaminated soil.
 The government is keen to restart the country's reactors once they 
			pass tougher security checks imposed after the Fukushima disaster, 
			to reduce reliance on expensive imported fuel. Last month, the 
			nuclear regulator approved the restart of a nuclear plant in 
			southwestern Japan.
 
 Public mistrust of atomic power remains high, however, and Funahashi 
			says he will keep making "Nuclear Nation" films to show the human 
			side of the nuclear equation.
 
 "We are the ones who used the power from Fukushima Daiichi. I feel, 
			as a filmmaker, responsible to keep making this film as long as the 
			Futaba people's refugee life continues," he said.
 
 (Editing by Tony Tharakan and Robert Birsel)
 
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