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				 De Oliveira had been making movies since 1931, and age had 
				not slowed him down. He had shot about one film a year in the 
				past two decades, more interested in movies as art than as 
				commercial products but always finding audiences. 
				 
				He died at home in his native Porto in northern Portugal. 
				 
				"His age was old. But he was a young boy at heart, which gave 
				him enchantment with life. His attitude of an ingenuous child 
				was admirable in his work," said actress Gloria de Matos. 
				 
				His last film, a short entitled Fountain of Virtues, was 
				premiered in December 2014, the month he turned 106. In the same 
				month he was awarded the National Order of the Legion of Honour 
				by France, where he was arguably more well-known than at home. 
				 
				With his contemplative manner and slow-moving camera, he won 
				acclaim far beyond Portugal and was an annual fixture at 
				Europe's top festivals. His many awards included two Golden 
				Lions in Venice, the Jury Prize and a Golden Palm in Cannes for 
				lifetime achievement. 
				 
				Many of De Oliveira's films were set in Porto, and the relative 
				backwardness of the region and elements of superstition supplied 
				the backdrops. 
				 
				Manoel Candido Pinto de Oliveira was born into a family of 
				affluent industrialists and originally trained as an actor. Lack 
				of commercial success and censorship at home under Antonio 
				Salazar's dictatorship held him back as a director of feature 
				films until the 1970s. 
				 
				One of his better known films, "The Convent" (1995), starred 
				Catherine Deneuve and John Malkovich. Oliveira also directed 
				Italian legend Marcello Mastroianni's last screen outing, 
				"Journey to the Beginning of the World", released in 1997. 
				 
				Oliveira's many screen appearances ranged from Portugal's first 
				talkie, "Cancao de Lisboa", made in 1933, to a cameo role in Wim 
				Wenders' 1995 "Lisbon Story". 
				 
				(Reporting by Andrei Khalip; editing by Andrew Roche) 
				
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