Arthur
Miller classic takes center-stage in Shakespeare's
hometown
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[April 03, 2015]
By Ben Hirschler
STRATFORD-UPON-AVON,
England (Reuters) - Arthur Miller's quintessentially
American work "Death of a Salesman" has been parachuted
into Shakespeare's hometown and given the unique honor
of playing on the Bard's birthday this year.
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The portrait of a broken American dream is lauded as "the
greatest American play of the 20th century" by director Gregory
Doran, whose new production in Stratford-upon-Avon has subtle
Shakespearean overtones.
This year marks the centenary of Miller's birth and, as with
Shakespeare, his writing is remarkable for its enduring insight
into psychology and relationships.
Doran's show, which opened on Wednesday, toys with those
parallels by casting Antony Sher and Alex Hassell as Willy Loman
and his son Biff, following their performances as Falstaff and
Prince Hal in "Henry IV Parts 1 and 2".
Sher plays ageing salesman Willy, the main protagonist of
Miller's play, as a rotund moustachioed figure, yet one
suffering a breakdown similar to that of King Lear as he talks
to himself with a faraway look and heads towards
self-destruction.
It is no coincidence that Sher, a renowned Shakespearean actor,
will play Lear on the same stage next year in a production that
Doran sees as a companion piece to Miller's classic.
As Willy's dreams and disappointments pull at the heart strings,
his position as a small cog in the American economic machine is
driven home by a set of vast apartment blocks squeezing out his
tiny house in Brooklyn.
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On one level, the story of a traveling salesman in the first half of
the last century seems a long way from the modern digital world, but
the tale of how decades of hard work fail to deliver Willy's
hoped-for better life still resonates.
As his downtrodden wife Linda, played powerfully by Harriet Walter,
insists "attention must be paid" to this man. Walter and Sher
previously worked together in 1999 as Macbeth and Lady Macbeth --
another doomed couple.
"Death of a Salesman", which opened on Broadway in 1949, will be the
first non-Shakespeare "birthday play" to be performed on the main
stage at Stratford when the curtain rises on the show on April 23,
the day the Royal Shakespeare Company celebrates its namesake's
birthday.
The honor is another sign of the U.S. playwright's renaissance on
this side of the Atlantic, following well-received productions of "A
View from the Bridge" and "The Crucible" in London last year.
(Reporting by Ben Hirschler; Editing by Raissa Kasolowsky)
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