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						Miller classic takes center-stage in Shakespeare's 
						hometown 
			
   
            
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						[April 03, 2015] 
						By Ben Hirschler 
			
						STRATFORD-UPON-AVON, 
						England (Reuters) - Arthur Miller's quintessentially 
						American work "Death of a Salesman" has been parachuted 
						into Shakespeare's hometown and given the unique honor 
						of playing on the Bard's birthday this year. 
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				 The portrait of a broken American dream is lauded as "the 
				greatest American play of the 20th century" by director Gregory 
				Doran, whose new production in Stratford-upon-Avon has subtle 
				Shakespearean overtones. 
				 
				This year marks the centenary of Miller's birth and, as with 
				Shakespeare, his writing is remarkable for its enduring insight 
				into psychology and relationships. 
				 
				Doran's show, which opened on Wednesday, toys with those 
				parallels by casting Antony Sher and Alex Hassell as Willy Loman 
				and his son Biff, following their performances as Falstaff and 
				Prince Hal in "Henry IV Parts 1 and 2". 
				 
				Sher plays ageing salesman Willy, the main protagonist of 
				Miller's play, as a rotund moustachioed figure, yet one 
				suffering a breakdown similar to that of King Lear as he talks 
				to himself with a faraway look and heads towards 
				self-destruction. 
				
				
				  
				
				 
				It is no coincidence that Sher, a renowned Shakespearean actor, 
				will play Lear on the same stage next year in a production that 
				Doran sees as a companion piece to Miller's classic. 
				 
				As Willy's dreams and disappointments pull at the heart strings, 
				his position as a small cog in the American economic machine is 
				driven home by a set of vast apartment blocks squeezing out his 
				tiny house in Brooklyn. 
			
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			On one level, the story of a traveling salesman in the first half of 
			the last century seems a long way from the modern digital world, but 
			the tale of how decades of hard work fail to deliver Willy's 
			hoped-for better life still resonates. 
			As his downtrodden wife Linda, played powerfully by Harriet Walter, 
			insists "attention must be paid" to this man. Walter and Sher 
			previously worked together in 1999 as Macbeth and Lady Macbeth -- 
			another doomed couple. 
			 
			"Death of a Salesman", which opened on Broadway in 1949, will be the 
			first non-Shakespeare "birthday play" to be performed on the main 
			stage at Stratford when the curtain rises on the show on April 23, 
			the day the Royal Shakespeare Company celebrates its namesake's 
			birthday. 
			 
			The honor is another sign of the U.S. playwright's renaissance on 
			this side of the Atlantic, following well-received productions of "A 
			View from the Bridge" and "The Crucible" in London last year. 
			 
			(Reporting by Ben Hirschler; Editing by Raissa Kasolowsky) 
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