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 With the likes of record-of-the-year nominees Iggy Azalea and
Meghan Trainor breaking out on YouTube and streaming services
such as Spotify, this year's Grammys could be a celebration for
one of music's few growing segments.
Among the nominees for this year's top awards - song, record and
album of the year - only British soul singer Sam Smith and R&B
artist Pharrell Williams had a hit that placed among the top 10
radio songs in total plays in 2014, according to Nielsen Music.
"I don't think anyone who is voting thinks that the Grammys
happen in a world where streaming doesn't exist," said William
Gruger, the social/streaming chart manager at Billboard.
The online success of Azalea's rap hit "Fancy" with singer
Charli XCX and Trainor's ode to full-figured women "All About
that Bass" underscore the power that streaming - and its
young-skewing consumers - have in elevating a song's profile at
the grassroots.
Such is the promise of streaming that Apple Inc bought headphone
maker Beats for $3 billion last year, in part for its curated
music service.
Grammy voters, however, are supposed to cast their ballots only
on artistic merit, said Neil Portnow, the president of the
National Academy of Recording Arts and Sciences, which hands out
the awards.
"The fact that music is available to consumers via streaming and
via download or via traditional product, that doesn't have
anything to do with the awards process itself," Portnow said.
"There isn't anything about streaming that relates directly to
how those awards are given."
STREAMING DIVIDES INDUSTRY
But falling album sales and digital song downloads have elevated
streaming's prominence within the industry. In December,
Billboard and data compiler Nielsen Music revamped the weekly
album chart to include online streaming.
Services such as Spotify, Beats and Google's YouTube helped
propel on-demand music streams to 55 percent growth in 2014.
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"The industry is paying more attention to it especially when
Billboard is changing their charts," said Lyndsey Parker, editor of
Yahoo Music.
Azalea's "Fancy" was the top song on Spotify in 2014 while its video
racked up 440 million views on YouTube in under a year.
"'Fancy' blew up because people were streaming that song like crazy
... it's good for discovery and elevating the profiles of new
artists," Parker added.
Trainor's "Bass" has been streamed 569 million times on YouTube. By
contrast, John Legend's "All of Me" was last year's top radio song
with 816,000 plays.
But streaming still faces an uphill climb among the industry's
establishment, which is unhappy with the way and amount of money
services such as Spotify compensate for the art.
Megastar Taylor Swift, a song and record of the year nominee,
notably pulled all her music from Spotify and streaming sites in
November prior to the release of top-selling album "1989."
Spotify, which boasts 60 million active users, says about 70 percent
of its revenue goes to record labels and publishers, which then have
their own separate agreements with artists.
"If a streaming service bases its business on the music that it
plays, one would think there has to be a way where the people who
write, perform and own that music can be fairly compensated for the
work they do," Portnow said.
"I don't think we are there yet," he added, "and I think there is a
long way to go."
(Refiles to reflect Nielsen Music from Nielsen SoundScan in third
and ninth paragraph)
(Editing by Ken Wills)
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