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With the cast onstage for curtain calls, and her lifelong
friends but onetime rival songwriters Barry Mann and Cynthia
Weil at her side, King, 73, choking with emotion, paid tribute
to her late husband and former songwriting partner Gerry Goffin.
She and Goffin, whom she divorced in 1968, turned out a string
of hits including "Will You Love Me Tomorrow?", "Up on the Roof"
and "One Fine Day" that shaped the sound of pop music in the
1960s and '70s.
"Gerry Goffin passed away on June 19 of last year. He did get to
see the opening night in New York and he was really happy, he
really loved the show," King said, referring to the Broadway
musical on which the London show is based.
She added that when Goffin had been asked about his portrayal as
a talented man who cheats on his wife, his response had been,
"It's not really simple."
She then led the audience in one of her best known songs, which
was a big hit for James Taylor and others, and includes the
lyrics: "You just call out my name, and you know wherever I am/
I'll come running to see you again..."
The show essentially is the same as the version running on
Broadway, which opened to mixed reviews last year, but with a
different cast and some changes to the staging made to fit the
Aldwych Theatre, a member of the production team said.
The book tells the story of Carol Klein, played by Katie Brayben,
who is a young Jewish girl from Brooklyn who changes her name to
Carole King to help her make it as a songwriter, and manages at
the age of 16 to sell a song to pop impresario and hitmaker Don
Kirshner (Gary Trainor).
King meets her future husband Goffin (Alan Morrissey) who is
also trying to sell songs to Kirshner at his offices on lower
Broadway where Weil (Lorna Want) and the hypochondriac Mann (Ian
McIntosh) also become a team.
The storyline has been criticized for plowing through the lives
of four of the pop geniuses of the late 20th century in an
uninventive chronological fashion.
But the upside is that the energetic young cast gets to
impersonate groups like the Drifters, the Shirelles and others
recreating the sounds that ruled the airwaves of America for two
decades - and many of which have become standards for the ages.
(Michael Roddy is the entertainment and arts editor for Reuters
in Europe. The views expressed are his own.)
(Editing by Lisa Shumaker)
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