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						Book Talk: Bausch on 
						private love, tragedy in 9/11’s shadow 
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						[January 02, 2015] 
						By Bernard Vaughan 
						NEW YORK (Reuters) - Author 
						Richard Bausch has explored unorthodox matters of the 
						heart in his award-winning career. In his latest novel, 
						"Before, During, After," a woman is stranded in Jamaica 
						by the Sept. 11 attacks, unable to reach her fiance in 
						New York. | 
			
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				 The woman, Natasha Barrett, is a senator’s aide eager to 
				contact her fiancé, Michael Faulk, a faltering Episcopalian 
				priest who was in New York for a wedding. 
 While the attacks and what followed frame the novel, it is 
				Natasha’s rape in Jamaica around which “Before, During, After” 
				revolves.
 
 Bausch, 69, spoke with Reuters about the book and being in New 
				York during the attack.
 
 Q: How did this premise of the book come about?
 
 A: It started as a story, and I posted on Facebook that I’m 
				writing one of the darkest things I’ve ever written. It was 
				about a rape ... When the idea came that she goes to Jamaica, I 
				was thinking about 9/11, and it just started to happen.
 
				
				 Q: Why did it take so long after Sept. 11 to write?
 A: I never even dreamed I’d write about 9/11. I was 
				there, in New York, and didn’t want to write about it. Then when 
				I started to, all that stuff started coming back.
 
 Q: As a male, did you hesitate writing so graphically 
				about Natasha’s rape and how she coped?
 
 A: No, although I knew I was probably going to catch some 
				shit for it. There’s a whole group of people who think you can’t 
				write about the opposite sex.
 
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			Q: Natasha’s parents died in a cruise ship fire when she was 
			young. She lingers on this while fearing Michael’s death, as she 
			walks alone on the beach shortly before she is attacked. Were you 
			suggesting that some people are somehow more prone to suffer 
			tragedy?
 A: No, but I’m sure Natasha thinks that. She has learned to 
			expect, since her earliest memories are of crisis, a bad outcome.
 
 Q: The detail-rich sections exploring reactions to 9/11 ring 
			so true. How did you cultivate such authentic material?
 
 A: It was a combination of things, because I was there. The TV thing 
			with Michael came from my own experience. I was in a hotel on 54th 
			Street, and my wife called and said, “Take a look out the window,” 
			and I said, “I don’t see anything, it’s a perfectly pretty day.” My 
			wife said, “Put the TV on.”
 
 (Editing by Patricia Reaney and Matthew Lewis)
 
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