The Syrian Observatory for Human Rights said the children, all
aged under 18, were recruited near schools, mosques and in public
areas where Islamic State carries out killings and brutal
punishments on local people.
One such young boy appeared in a video early this month shooting
dead an Israeli Arab accused by Islamic State of being as spy. A
French police source said the boy might be the half-brother of
Mohamed Merah, who killed three soldiers, a rabbi and three Jewish
children in Toulouse in 2012.
"They use children because it is easy to brainwash them. They can
build these children into what they want, they stop them from going
to school and send them to IS schools instead," said Rami
Abdulrahman, head of the British-based Observatory.
Islamic State declared a caliphate last year in territory it
controls in Syria and Iraq and is being targeted by U.S.-led air
strikes in both countries.
It has beheaded or shot dead Syrian civilians, combatants, foreign
aid workers and journalists and has released videos appearing to
show children witnessing or participating in some of the killings.
The group persecutes people across sects and ethnicities who do not
adhere to its ultra-hardline doctrine.
The group may be resorting to children because it has been having
difficulties recruiting adults since the start of the year, with
only 120 joining its ranks, Abdulrahman said.
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This was partly due to tighter controls on the Turkish border, where
foreign fighters tend to enter, he added.
Islamic State has encouraged parents to send children to training
camps or has recruited them without their parents' consent, often
luring them with money, said the Observatory, which tracks the
conflict using sources on the ground.
At the training camps, the children learn to fire live ammunition,
fight in battles and to drive, it said. Islamic State also recruits
children as informants and as guards for its headquarters as well as
welcoming children with birth defects into its ranks, the
Observatory added.
(Reporting by Sylvia Westall; Editing by Tom Heneghan)
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