From
handles to cyborgs, all up for Turner art prize
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[October 01, 2015] By
Michael Roddy
GLASGOW (Reuters) - This
year's Turner Prize nominees range from a collective
selling handles, and costlier furnishings, online for 15
pounds ($23) a pop to a video display in which a woman
talks about being brainwashed in Kentucky by aliens.
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Since the British contemporary art prize made a leap into the
bizarre by recognizing Damien Hirst's bisected cow and calf in
1995, it has been hard to predict what the judges might include
among the finalists.
This year's foursome, unveiled for a public show in Glasgow on
Wednesday, is no exception.
But Sarah Munro, director of the Glasgow arts space Tramway,
where the exhibition opens to the public on Thursday, says this
year's artists do not seem to be out to provoke.
"I think those days when people were out to be shocked and to
shock are not where artists really are at the moment," she said.
"Artists are interested in engaging in ideas with the public and
I think what's exciting about this edition of the Turner Prize
is that it feels very now, very of the moment."
The winner is announced on Dec. 7.
Two rooms at Tramway are given over to the Assemble collective
which is displaying -- and selling, through an online catalogue
-- items made in a workshop in a working class neighborhood of
Liverpool.
The designs are based on fixtures found in social housing, from
fireplaces to sinks to cabinet handles.
Lewis Jones, of Assemble, told Reuters the group had been
stunned to be included among the Turner finalists when the
nominees were announced in May, but said the attention had
helped to support its program to refurbish housing in the Granby
Four Streets area of Liverpool.
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"We never really associated ourselves with the art world, but it's
really helped," he said.
Bonnie Camplin's video installation challenges viewers to think
about seemingly outrageous accounts by people who say they were
brainwashed by aliens, turned into a cyborg in a special government
program or survived an attempted crucifixion by a blood cult on the
Orkney Islands.
Books displayed in the room around the screens are there as resource
materials -- for anyone who wants to probe deeper.
"The general public might find stories of traveling to Mars
unbelievable but Bonnie's approach to them is a little bit
different," said Paul Pieroni, a co-curator of the exhibition.
"I think she wants to give people the benefit of the doubt and is
interested in creating a framework for these accounts that isn't
literally dismissive," he said.
The other two finalists are a live sound work called "DOUG" by
Janice Kerbel and an installation of sculptures, most of which are
modern stainless steel chairs with fur coats sewn into the seat
backs, by Nicole Wermers.
The exhibition runs at Tramway through Jan. 17.
(Writing by Michael Roddy; Editing by Janet Lawrence)
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