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				 Skolimowski, 77, who wrote the dialogue for Roman Polanski's 
				"Knife in the Water" (1962), said his latest was inspired by 
				personal tragedy, including his son's death in India. 
				 
				"I lost members of my family and I was really in a very bad 
				shape, physically and mentally," he told Reuters in an interview 
				at the festival. His film is among 21 competing for the Golden 
				Lion top prize, which will be awarded on Saturday. 
				 
				"In order to overcome this, I decided that I would force myself 
				to work and I really forced myself to sit down in front of the 
				typewriter and I said I’m not getting up until I have four pages 
				a day," he said. 
				 
				The film's action takes place within the 11 minutes of the 
				title, when a procession of lives collide in a square in Warsaw. 
				Among them is a young starlet who is having an interview with a 
				foreign filmmaker alone in his luxury hotel room, while her 
				jealous husband paces the corridor outside. 
				
				
				  
				Other characters include a drug courier, a pedophile teacher on 
				probation now working as a hot-dog vendor, a young woman who has 
				split with her lover and a water-colorist -- possibly a stand-in 
				for Skolimowski, an accomplished painter -- who is a passenger 
				on a bus heading to the square. 
				 
				"It’s a human story, it could happen any place in the world," 
				Skolimowski said. 
				 
				Much of the action takes place with hints that police 
				surveillance cameras are watching. A plane flies thunderously 
				overhead, at low altitude, suggesting a link between the action 
				in the film and the events of Sept 11, 2001, in New York City. 
			
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			Skolimowski said the connection with the terror attack on the Twin 
			Towers was not intentional, but the tragedy has long been simmering 
			in his subconscious. 
			 
			"That’s such a huge thing that my little modest film is not 
			competing with any of those aspects," he said. 
			 
			"Still, if there is an echo of it, why not? ... I couldn’t get rid 
			of those images, so maybe 14 years later I somehow free my 
			imagination of those bad things,” he said. 
			 
			He said the film is meant to convey that every second of life 
			counts. 
			 
			"I wanted to share quite universal experiences, the fact that we 
			don’t treasure our lives, we don’t realize that it could end almost 
			any time so rapidly, so unexpectedly, and it would be too late after 
			that to enjoy it -- so that is the message, universal message," he 
			said. 
			 
			(Writing by Michael Roddy; Editing by Larry King) 
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