Grieve,
smash, dance: Gyllenhaal's 'Demolition' has it all
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[April 05, 2016]
By Jill Serjeant
NEW YORK (Reuters) - In the
movie "Demolition," actor Jake Gyllenhaal loses his wife
in a traffic accident, pours his heart out to a vending
machine company, and smashes up his home with a
sledgehammer.
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But perhaps the biggest challenge in the drama-comedy about
grief was having to free-style dance through throngs of New York
city commuters as his bereaved Wall Street banker character
throws out society's expectations.
Gyllenhaal, 35, said the un-choreographed sequence, shot on a
subway and on the streets of New York, was the scene that most
terrified him.
"I was really very nervous about that sequence. (Director)
Jean-Marc Vallee said you're going to just dance around and I
thought, 'Oh God, what is this going to be like?.' You have all
those feelings of fear and embarrassment," he said.
"And then I was also nervous (that) it was going to be recorded,
you know, for film, for a long time," he added.
Given this was New York, Gyllenhaal needn't have worried. The
commuters barely batted an eyelid. "You can't really survive in
this city if you don't just keep your head down. The majority of
them just took it for granted and let me do my thing," he said.
"Demolition," out in U.S. movie theaters on Friday, is
Gyllenhaal's third film in 12 months after playing a boxer who
also loses his wife in "Southpaw," and an American mountaineer
in disaster movie "Everest."
He plays Davis Mitchell, a man who has lived his life according
to convention - good job, nice home, expensive clothes, loving
wife - to such an extent that he has lost touch with who he
really is.
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"When tragedy strikes and he loses his wife, he doesn't even know
how to feel... he is just numb. It takes him about three quarters of
the movie to even unlock a little bit of a feeling," Gyllenhaal
said.
Mitchell writes long letters to a vending machine company's
complaints department, dismantles his refrigerator and desktop
computer, and takes a sledgehammer and a bulldozer to his own home.
No stuntmen were used in the demolition scenes and Gyllenhaal
learned to operate the bulldozer himself.
"There is something really expressive and emotive physically in
tearing things apart. So yes, it was very cathartic in that way,"
the actor said.
"Davis didn't all of a sudden have this huge epiphany. He just found
what he is and his journey begins at the end of the movie."
(Additional reporting by Reuters Television; Editing by Frances
Kerry)
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