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 Not so much because he is an Oscar front-runner for his role
in "Fences," but because bringing the award-winning stage play
about blue collar African-Americans to the big screen has been a
long-held dream.
"It's brilliant. It's like, why would they make 'Hamlet' a
movie? Why would they make 'Death of a Salesman" a movie?
Because it is some of the greatest writing in the 20th century,"
the actor told Reuters.
Pulitzer-Prize-winning "Fences," which opens in U.S. movie
theaters on Dec. 25, is the first play by the late, influential
black playwright August Wilson to be turned into a film.
Washington and Viola Davis reprise their 2010 Tony-winning roles
as egotistical garbage worker Troy Maxson and his long-suffering
wife Rose in the intense family drama about lost hope, betrayal
and race prejudice in 1950s America.
"There's an excitement because we knew that this is permanent
now. This is forever. So everybody's coming with their game,"
Washington said of adapting "Fences" to film, which he also
directed and produced. Washington is also involved in filming
all 10 of Wilson's stage plays for TV channel HBO.
With strong reviews, "Fences" has put Washington and Davis front
and center of a Hollywood awards season looking to redeem itself
after the #OscarsSoWhite furor of the past two years.
[nL1N1D41T1]
Washington, 61, is seen as a leading contender for his third
Oscar, while Davis, 51, is regarded by awards pundits as a
shoo-in in the supporting actress race.
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"Every day was an acting Olympics," said Davis of the film shoot.
"There was no scene where you just walked in and put down a pot."
Wilson, who died in 2005, set many of his plays in the pre-civil
rights era, charting the experience of African-American working men
and women and their struggle for dignity and love.
"He honored people that literally had been seen as invisible
throughout history and he uplifts them as exactly who they are,"
Davis said.
Stephen McKinley Henderson, who plays Troy's best friend Jim Bono,
said "Fences" is timeless.
"Great writers write about the capacity of being human. ... The
politics is just the background of our lives. The really important
things are the people who are closest to us, not the people who are
in some seat of power a long way away. So (the play) is always going
to speak to you, whatever period you are in," he said.
(Reporting by Reuters Television; Writing by Jill Serjeant; Editing
by Richard Chang)
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