Washington's National Cathedral to remove
Confederate flags from windows
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[June 09, 2016]
WASHINGTON (Reuters) - The
Washington National Cathedral will remove Confederate battle flags from
two stained glass windows honoring Confederate Generals Stonewall
Jackson and Robert E. Lee, the cathedral said on Wednesday.
Officials at the neo-Gothic Episcopal cathedral, one of the
best-known U.S. places of worship, said in a statement the two
images of the flag would be replaced by plain glass, with the cost
borne by private donors.
The rest of the two windows will be left up for the time being and
used as a starting point in discussions about racism, they said.
The Rev. Kelly Brown Douglas, a member of a task force that last
week recommended removal of the flags, said the Lee-Jackson windows
raised the question of race and the legacy of slavery, "and instead
of turning away from that question, the Cathedral has decided to
lean into it.”
The task force report said the cathedral should readdress the issue
of what to do with the Lee and Jackson windows within two years.
The battle flag used by Confederate forces during the 1861-65 U.S.
Civil War has been at the center of controversy since a white
supremacist allegedly gunned down nine black worshippers at a South
Carolina church in June 2015.
Photos of the white man charged in the shooting showed him posing
with the flag on a website that also carried a racist manifesto. The
massacre has spurred efforts to remove the flag and other
Confederate symbols from public places.
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The west front of Washington's National Cathedral is photographed
from the damaged main tower after an earthquake August 24, 2011.
REUTERS/Jason Reed/File Photo
The windows at the cathedral were installed in 1953 to foster
reconciliation between sections of the United States that had been
riven by the Civil War.
Since 1907, the cathedral has been used for state funerals for three
presidents, and a number of presidential prayer services. It has
also hosted services for noted diplomats and dignitaries.
(Reporting by Ian Simpson; Editing by Peter Cooney)
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