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 The Orishas, named after the gods of the Afro-Cuban religion
Santeria, originally won global acclaim for pioneering a unique
Cuban brand of hip hop melding traditional beats and melodies
like musical style "son" with gritty urban rap.
Band members, known as Yotuel, Ruzzo and Roldan, had parted ways
on good terms in 2009 after selling more than a million studio
recordings, looking to develop their music separately. They say
they now have more experiences to bring to the table.
"The separation was necessary because we were creatively worn
out," said Roldan, the Cuban "sonero" or singer responsible for
the band's smooth melodies, in an interview at a rooftop bar
overlooking Havana's Malecon seafront.
"We are back, not to prove anything, but because we love this
project. We are going to continue with the essence of the
Orishas, but down another path."
Hip hop, which emerged in the 1990s in Communist-ruled Cuba, was
long viewed with suspicion due to its origins in the United
States and the fear it could foment unrest as a channel for
social critique.
Restrictions on freedom of speech was one reason for rising
stars to move abroad. Another was limited career opportunities
and poor infrastructure in a struggling Soviet-style command
economy, a factor that continues to drive Cubans to emigrate.
The Orishas secured their first studio deal in France, although
they went on to live scattered throughout the world, meeting up
to record and perform.
"It's part of what enriches us," said Ruzzo, known for his
high-speed rapping in syncopated Spanish, who now lives in
Pamplona. "Each of us learns about what is happening in his
region and we incorporate that."
Yotuel, who lives in Miami, has collaborated closely with Latin
pop star Ricky Martin while Roldan, who lives in Paris, has sung
with French rappers. They said their new music would likely be
very distinct, but they did not yet know how.
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"Making music is like making love, you never know what is going to
happen that night," said Roldan.
The group said they were recording in Cuba now, for the first time,
partly because they were traveling to the Caribbean island
frequently anyhow, partly because it had become easier.
The Orishas will continue recording when they go on the road next
month, performing first at a festival in Belgium, then on tour in
the United States and Latin America, they said. They want to record
40 songs, harvesting the best 10 for the album.
"The only thing we know at the moment is that 'Cuba Isla Bella' will
be on this album," said Yotuel. "This song is about who we are,
where we come from ... why we are what we are."
The single, that showcases other Cuban artists such as reggaeton
band Gente de Zona and percussionist Pedrito Martinez, is more
melodious and wistful than other Orishas hits.
The trio said they hoped Cuba and its music would not lose their
authenticity and uniqueness in the wake of the island's
rapprochement with former Cold War foe, the United States.
"That's what we are trying to do with the Orishas too: not
succumbing to the temptation of the hip hop image abroad of bling
bling, chains, diamonds and jewels," said Yotuel.
"The Orishas' music and aesthetics has always been very Cuban, very
natural... We're just three simple Cubans."
(Reporting by Sarah Marsh; Editing by Andrew Hay)
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