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Brent crude's front-month contract was up 59 cents at $42.13 a
barrel by 1113 GMT, having touched a 2016 high of $42.31.
U.S. crude gained 64 cents to $40.84 a barrel after rising as
high as $40.93. The benchmark had jumped by 4.5 percent to close
the previous session at $40.20.
Oil prices have surged by more than 50 percent from 12-year lows
reached in December, bolstered as the Organization of the
Petroleum Exporting Countries (OPEC) floated the idea of a
production freeze, boosting Brent from about $27 and U.S. crude
from around $26.
Many analysts think there is still steam in the rally.
"We are leaving the period of low demand and starting to move
toward the period when demand increases over the summer," said
Olivier Jakob, oil market analyst at Petromatrix at Zug in
Switzerland.
He added that the massive oil glut that had helped to hammer
prices last year at last appears to be stabilizing.
"We're moving towards looking at an old surplus, rather than a
new one being built up," he said, adding that it is likely that
Brent will stabilize around the mid-$40s.
Crude inventories in the United States <USOILC=ECI> increased by
1.3 million barrels in the week to March 11, to a record high of
523.2 million barrels, though that was a much smaller build than
the 3.4 million barrels expected by analysts, the Energy
Information Administration said on Wednesday [EIA/S].
Analysts said that dollar weakness was also lifting oil.
The dollar index is down 3.2 percent so far this month. A weaker
dollar makes oil, which is priced in the U.S. currency, more
affordable to holders of other currencies.
U.S. oil is heading for a fifth week of gains, while Brent is on
course for a fourth weekly increase, the longest rising streak
in about a year for both benchmarks. Oil is already up 17
percent in March, its strongest monthly gain since last April.
OPEC kingpin Saudi Arabia and non-OPEC producers led by Russia
will meet on April 17 in the Qatar capital Doha in an effort to
agree the first global supply deal in 15 years.
(Additional reporting by Aaron Sheldrick in Tokyo; Editing by
David Goodman)
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