Not
just a thriller, 'Girl on the Train' plumbs women's
struggles
Send a link to a friend
[October 06, 2016]
By Jill Serjeant
NEW YORK (Reuters) - It's a
thriller, a whodunit, a story of loneliness, alcoholism
and voyeurism. But "The Girl on the Train," the movie
version of the best-selling novel, is also a tale of
female empowerment, the filmmakers say.
|
After selling 15 million copies worldwide since its 2015
release, Paula Hawkins' story of murder, betrayal and emotional
abuse gets a dark twist in the movie that opens this week.
Emily Blunt plays Rachel Watson, an alcoholic who has lost her
job and her marriage and who spies from the train on her
cheating ex-husband (Justin Theroux) and his new wife Anna
(Rebecca Ferguson). Rachel turns amateur detective when another
woman with disturbing secrets, Megan (Haley Bennett), goes
missing and turns up dead.
"I feel like this film represents women's right to be bad and
flawed and wrong and messed up. I think women around the world
are going to applaud that," Blunt said.
"Yes, (the women) are pitted against each other in the beginning
but yet they do ultimately unite, and they are real," she added.

All three women are subject to jealousy, controlling behavior
and gaslighting - the term for psychological abuse that makes a
victim doubt his or her sanity.
Some previews have had women in the audience cheering at the end
as the female characters wreak their revenge.
The movie opens during domestic violence awareness month in the
United States and the National Network to End Domestic Violence
has produced discussion questions that highlight themes of abuse
in the book.
[to top of second column] |

Director Tate Taylor said he would be glad if the film empowers
women. "I didn't intend, on an intellectual level, for it to be a
revenge film, but it has struck a nerve."
Taylor, who also directed the female-centric movie "The Help,"
attributes his empathy with women to his upbringing.
"I was raised by a single mom. She was pretty much my primary
caregiver... So I had a lot of female energy and I saw a lot of
struggle, a lot of determination and a lot of success. I equate
women with being survivors because of my mom," he said.
Taylor and Blunt said the movie was deliberately darker than the
book.
"We agreed that we were really going to reveal the underbelly of
domestic life in all its darkness," said Blunt. "It's incredibly
brutal to watch at times and unsettling, and I am thrilled that even
for lovers of the book, it still shocks."
(Reporting by Jill Serjeant; Editing by Cynthia Osterman)
[© 2016 Thomson Reuters. All rights
reserved.] Copyright 2016 Reuters. All rights reserved. This material may not be published,
broadcast, rewritten or redistributed.
 |