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				 "Morgan," out in theaters on Friday, is set in a near future 
				reality where a group of scientists from a corporate AI company 
				breed a synthetic baby. 
 Aged 5 but growing faster than a human child, Morgan, played by 
				20-year-old Anya Taylor-Joy, looks like female teenager and is a 
				highly intelligent being with outbursts of deadly anger.
 
 When Morgan is told by her human minder that she is no longer 
				allowed outdoors and instead must stay in a caged underground 
				room where she is constantly observed, she stabs her in the eye.
 
 In comes the immaculately groomed corporate agent Lee Weathers 
				(Kate Mara) to determine whether Morgan should be terminated.
 
				
				 "I had to hold back on most emotions because my character is 
				rather unemotional and very even-keeled and calculated, very 
				focused," Mara said in an interview.
 The film centers on its three lead female characters who include 
				"Game of Thrones" actress Rose Leslie as Morgan's closest 
				friend, and Morgan's struggle with gender identity. Half the 
				scientists identify the being as "her," while the other half 
				including Lee Weathers coldly refer to Morgan as "it."
 
 Director Luke Scott said Taylor-Joy brought a childlike, 
				vulnerable and "otherworldly" element to Morgan.
 
 "I did consider male actors, but we talked about it and we 
				thought it was better to find a great female lead," he said.
 
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			"Morgan," the first feature film for Scott, son of veteran filmmaker 
			Ridley Scott, comes on the heels of Alex Garland's 2015 independent 
			sci-fi hit "Ex Machina," in which Alicia Vikander played a female 
			robot that outsmarts the humans who created her. 
			The film came out just as "Morgan" was about to start shooting, 
			Scott said, and while he called Garland's movie "quite niche," he 
			added that it made him rethink parts of "Morgan."
 "There's a lot of philosophy in there," Scott said.
 
 "I thought that was terrific, but for me it was a good lesson in 
			that initially I wanted to start moving in that direction. But 
			watching "Ex Machina," I thought: 'Do you know what? I'm going to 
			steer clear of this and perhaps be a little bit more entertaining 
			and go for action.'"
 
 (Reporting by Piya Sinha-Roy; Editing by Peter Cooney)
 
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